Spread over one lane and The Bank Hotel, punters had the choice of three stages for their musical pleasures while, twixt the two venues, they were able to quench their thirst and hunger and browse at market stalls. Nicely laid-back with an audience of chilled music lovers, the vibe was similar to the early days of the St Jerome's Laneway Festival.
Earnest Ellis might have a strong voice and big, epic songs, but, not for the first time, they soared right over my head. Conversely, Cabins' performance (above) didn't so much sail over the audience as drill its way relentlessly through their bodies. Their bone-shaking set - which included a cheeky cover of Edwin Collins' A Girl Like You - was loud with a capital L.O.U.D. and their catchy indie with alternating vocalists was the highlight of the day.
But for a couple of exceptions, I've always found Aussie hip-hop to be a fairly embarrassing caricature of its Stateside big brother, and Thundermentals' cliched set did nothing to change my mind. Anyone with decent taste should have instead headed to the Hip Hop Stage where Count Doyle and Captain Franco were not playing anything that resembled hip-hop, but rather mixing some delicious sounds from yesteryear.
By the time headliners Tame Impala took to the stage, many of the crowd had found vantage points by climbing walls and hanging off fences and went suitably nuts to the Perth band's psych-groove sound, before the party shifted to The Bank Hotel, where Jingle Jangle DJs were getting things going with some old school rock 'n' roll. As the evening went on, the likes of Levins and HOOPS kept revellers entertained.
Such was the success of this first festival that, next year, you can expect more artists, more markets and more bands. However, there is no doubt that, while this festival is set to grow and grow, it will do so organically rather than chasing the dollar. Anyone who attended on Sunday left with the feeling that this was the start of something really rather wonderful.
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