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Showing posts with label Ellie Goulding. Show all posts
Showing posts with label Ellie Goulding. Show all posts

Thursday, October 28, 2010

KT Tunstall - Tiger Suit

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Three years on from her sophomore album and six years since she burst onto the scene with her massive-selling debut, Scotland’s KT Tunstall returns with a new long-player. In it, she adds a dancey, electronic vibe to her familiar folk-rock sound. Whether this is a bid to fit in with current industry darlings like Ellie Goulding, or simply because she fancied a slight shift in direction, the result is certainly a bit poppier than her previous outings.

That’s not to say she is going all Katy Perry on us. This is still very recognisably KT Tunstall, with her delicious rasp and acoustic guitar, but things here are often more conventional than we might expect. For instance, The Entertainer and Lost are ballads-by-numbers in comparison to Tunstall’s usually interesting structuring, while Glamour Puss’s dance-pop just feels a bit generic.

However, the perky acoustic melody and delicate xylophone of lead single, Fade Like a Shadow, is a fine example of KT Tunstall doing pop excellently, and it’s no coincidence that Tiger Suit’s highlights come when she further pushes her creative boundaries. Push That Knot Away, for example, is awesome in its combination of dance-beat, acoustic lick and body-shuddering bluesy bassline fuzz. Similarly, the vocal of Madam Trudeaux swaggers and struts its way marvellously through an infectious tune.

Tiger Suit therefore proves that KT Tunstall is at her best when sidestepping the clichés that already litter our charts. This is a woman who can write insanely catchy tunes while remaining interesting and very likeable. If anything, pop singers should be attempting to sound more like her, rather than the other way round.

Wednesday, October 13, 2010

Getting To Know... Rebecca Victoria


Sydney-based model Rebecca Victoria has recently swapped the sunshine of Australia for the impending cold of London's winter. She takes a few moments to talk to BobbySix.com about modelling, acting, Cher and her dream of one day giving it all up to be a gyspy hippy:

Modelling is a life decision and complete commitment. It fuels my creativity, makes me happy. Makes my bank happy occasionally.

Aside from modelling I like to take my own pictures with old disposable cameras and collect weird small items I see when walking around. I have a bag full of junk but I believe they're all omens. I may have OCD.

I also act. I have done one film, two music videos [Razorlight's Burberry Blue Eyes and Old Man River's You're On My Mind] and a few commercials. I really want to expand this.

London is dirty, moody, mysterious, hard, tough, cold, exciting, full of opportunities, accepting and broad minded. If I were a city, I'd be London. This is my home.

I just downloaded the discography of Cher. She's cool. The bands I am into at the moment are Yeasayer, Major Lazer, Ellie Goulding and The Cramps. I cant go to sleep without the Cinematic Orchestra .

It might surprise people to learn that I used to dance, love yoga, and love punk rock and hardcore music. Oh, and Rebecca Victoria isn't my whole name.

In the future I want to be a gypsy hippy lady, travelling around the countryside, enjoying nature and teaching art. The material things should never make you happy.



Rebecca is with Chadwick Models in Sydney.

Interview by Rob Townsend.

Tuesday, June 08, 2010

Ellie Goulding - Lights

Having won the Critics’ Choice Award at The Brit Awards and the coveted BBC Sound Of 2010 poll, it is little wonder that Ellie Goulding’s debut arrives under a hefty weight of expectation.

At the heart of Lights is a really promising songwriter. The album may land on the poppy side of folktronica, but there is emotional depth to Goulding’s themes. When you peel away the shimmering production, her vocal has a pleasingly elfin vulnerability to it; at times coming across like Julia Stone, elsewhere Bjork. Album-closer Salt Skin shows impressive invention with its mixture of electronica and a rousing choir in the chorus, opener Guns and Horses is a nice folk-pop introduction, while the breathless Wish I’d Stayed and the bold Under The Sheets give examples of her fine lyricism.

It’s a shame, then, that the overtly shiny production often makes things feel MOR, like The Writer, which buries a sweet ballad beneath radio-friendly cheese. Also, the fact that she is pulling in so many familiar directions makes Lights sound too much like the result of a record company’s mathematical equation: Florence divided by Laura Marling multiplied by La Roux plus Little Boots equals a new unit-shifting superstar. For a debut, Lights is more than decent, but something simply doesn’t ring true about its more poptastic parts. It leaves one wondering what Ellie Goulding would sound like were she not accompanied by the bells and whistles of the hype machine. One senses things would have been edgier and therefore a bit more satisfying. And therein lies the problem with the mainstream lauding an artist so highly at such an early stage in their career.

Review by Rob Townsend