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Showing posts with label milk annual. Show all posts
Showing posts with label milk annual. Show all posts

Thursday, October 13, 2011

Caitlin Park - Milk Annual


Heidi Pett lets us know what she thought of Caitlin Park's debut album:

I must confess that while sampling sounds of unusual provenance makes for an interesting press interview/snippet of information to be bandied about, I often find the technique clunky and frankly irritating. Not so with Caitlin Park. In Milk Annual, she's crafted a beautiful album full of delicate, thoughtful songs that, despite very professional production, feels entirely handmade.

At this point I could go for a long winded metaphor involving a patchwork quilt of found sounds carefully stitched together with a thread of folksy guitar and gentle vocals, ironed and laid out through production by Liam Judson of Belles Will Ring. But I won’t, because that may seem trite, unnecessary and pretentious, all of which sits uncomfortably with the pared-back simplicity of tracks such as With No Strength To Defend, Be A Ghost or the hand claps, unashamedly catchy hooks and pop sensibilities to be found on single Baby Teeth.

The way she plays guitar makes you think you can see it. You’re intensely aware of her fingers, the process of it, particularly on opener How’s Your Wife? where audible fret noises ground her sampling and use of electronic sounds in an earthier folk tradition. The range of sounds she employs demonstrates not only a curiosity into the nature of language best seen on the Tic Tac Language Song, but also her ambition and ingenuity in the use of the sounds of a match striking in the similarly experimental Match. Wrist. Bird.

Ordinarily I would baulk at the term ‘experimental’ as too often it’s lazy shorthand for ‘people on drugs with a bunch of whistles, old gameboys and access to garage band’ but it’s clear that, after months of collecting such diverse samples, she has indeed experimented with them before carefully layering them with her gentle vocals and accomplished songwriting to piece together a very considered album. You can read her track by track explanation here, if you’d like to know more about her ideas and methodology.

Comprised of songs which are breathtakingly intricate yet remain accessible and, above all, enjoyable, Milk Annual is best listened to accompanied by the smell of grass with sun on the back of your neck.

Review by Heidi Pett

Tuesday, October 04, 2011

Caitlin Park at FBi Social, Sydney


CAITLIN PARK 
TIN SPARROW 
FLUME 
FBi Social, Kings Cross Hotel, Sydney, 22/09/11

Flume, one of Caitlin Park's fellow finalists in the recent FBi Northern Lights competition, got things moving with dancy electronica built with a laptop and plenty of knob-twiddling. It's easy to see this youngster carving a niche for himself. Next up, the impressively hirsute Tin Sparrow changed the tone a little with their bouncy, country-tinged folk. The five-piece had an affable, disarming stage presence, while their set was varied and had a good pace to it. The upbeat numbers got feet tapping, while, when they slowed things down, they managed to bring an otherwise chatty room to silence. Highlights included Eileen and For You from their EP, From The Sun, and the band even managed to squeeze in a surprise chorus of Happy Birthday for lead singer Matt Amery. Lovely stuff.

Caitlin Park (pictured, top) took to the stage looking delightful in a pretty dress and thick-rimmed glasses, and set about delivering songs from Milk Annual, the album she was there to launch. With one foot firmly in folk, the other in electronica, her songs were are intricately and beautifully pieced together using a loop pedal, an acoustic guitar, samples, snippets of dialogue and a drummer. Managing to remain interesting yet accessible to a live audience is a hard thing to achieve, yet her brand of folk with whispers of electronica was mesmerising from first song to last. Importantly, she was able to layer her songs while retaining a lo-fi quality. There was nothing messy, nothing superfluous here. Would You Let Me Back In was a fine example of this and also showed just what a good lyricist she is, while Baby Teeth proved that she also has the ability to deliver a catchy vocal hook or two.

While measured and intelligent, there was also an impish edge to her, which was best illustrated by the decision to throw in a cover of The Fresh Prince Of Bel Air theme tune. To take such an awesome, stupid song and to slow it right down and re-contextualise in a kind of Americana folk direction was impressive indeed and brought a big reaction from the busy room. Understated, nuanced and utterly captivating, Caitlin Park's music offers something different to anything else on the Sydney scene at the moment. Simply, she is a breath of fresh air.

Review by Bobby Townsend. It originally appeared in Sydney's Drum Media


Thursday, September 22, 2011

Caitlin Park interview


“One of my favourite things to do is to play to a crowd, find one person who is not listening and try my hardest to get them to notice.”

It's a plan that seems to be working well for Caitlin Park. Her intelligent, looped brand of folk with electronic edges is captivating audiences across Sydney and she was recently a finalist in FBi Radio's Northern Lights competition. It's surprising then, considering her talent and growing reputation, that this isn't a path she has always desired to tread...

READ THE FULL INTERVIEW HERE...