The xx at The Metro Theatre, Sydney

The XX returned to Australia last week and treated those lucky enough to snap up a ticket to a performance at the Metro theatre in Sydney. Support act, Flume started the show and, despite having quite a bit of airplay and gaining popularity with awesome mixes of Hilltop Hoods and Ta-Ku, did not seem to draw in a crowd, as people seemed unable to tear themselves away from the lure of vodka Red Bulls at the foyer bar.

The headlining trio, Romy Madley-Croft, Oliver Sim and Jamie Smith, took to stage (twenty minutes late) in a haze of smoke, and began the set with Angels, the first single from the soon-to-be-released album, Coexist. Usually I generally dislike bands showcasing new material at gigs, due to unfamiliarity, but Angels, despite only being released to the world a fortnight ago, still had the majority of the audience joining in and singing the chorus. The band took songs from their solid self-titled debut which excited fans, including Heart Skipped a Beat and Basic Space. These slower-paced numbers were pleasing singalong tunes, but the faster, more textural, pulsating tracks induced more of a reaction. Midway through the set the band played new material from the forthcoming album, this instrumental number had a club dance-floor vibe and seemed as though it were influenced by the steel-drum driven Far Nearer taken from Jamie’s solo album. It was an attack on the senses, blasting beats and smoke machines, with lazer beams scattering over the crowd as a projected psychedelic visual danced across the screen and spilled onto the band as they worked harmoniously to make the sounds. Another standout track was Infinity, a duet that reeked of passion and sex, with the transition of each singer, the pace fastened, the lights projected over the stage as Romy sang, “I can’t give it up to someone else’s touch” finishing with a climatic ending of blaring noise and light flooding the stage.

For an electronic driven outfit, the sensuality and the organic nature of the vocals of both Romy and Oliver is bound effortlessly with the precise drum machine beats and computer samples. Both strong vocalists project lyrics with delicacy and softness and often have a haunting effect that is woven through the tracks. But, they in no way overshadow the percussion and sounds created live on stage by Jamie, who makes clean, precise accompaniment with various computerised instruments.

I eagerly await the new album Coexist after hearing snippets at their gig. It is set to be released on 11 September.

Review by Carol Bowditch

Jamie xx announces solo Australian shows

Following the announcement of The xx’s new album Coexist and their upcoming Australian tour, which sold out in, like, half-a-second or something, Handsome Tours and Fuzzy have today announced solo shows for Jamie xx in Melbourne and Sydney.

Catch Jamie xx performing at New Guernica in Melbourne on Tuesday 17 July and at Goodgod Small Club in Sydney on Thursday 19 July. Tickets for both shows are on sale at 9am AEST on Friday 15 June.

The past two years have been meteoric for Jamie xx, who has earned a name for himself as one of the world's hottest producers. In 2011 he crafted the underground hit Far Nearer and collaborated with Gil Scott-Heron on the album We’re New Here, a re-envisioned version of Scott-Heron's 2010 masterpiece I’m New Here. Jamie xx has also garnered universal praise for his remixes of Adele and Radiohead, and The xx remix of Florence & The Machine’s You’ve Got The Love was mmmmmmassive.

See Jamie here:
Tuesday 17 July 2012
New Guernica, Melbourne
UPDATE - TICKETS SOLD OUT

Thursday 19 July 2012
Goodgod Small Club, Sydney
UPDATE - TICKETS SOLD OUT

The xx will be at The Forum in Melbourne on Wednesday 18 July and The Metro in Sydney on Friday 20 July 2012. Tickets sold out in a heartbeat though. Sorry.

The xx win Mercury Prize

London's xx picked up the Barclaycard Mercury Prize for their album xx last night. They held off strong competition from Laura Marling's beautiful I Speak Because I Can and records from the likes of Foals, Mumford & Sons, Dizzee Rascal and Wild Beasts.

In scooping the £20,000 award, singer/bassist Oliver Sim said the band was very grateful and that they'd, "Had the most incredible year."

Previous winners include Pulp, Primal Scream, Klaxons, Arctic Monkeys, Elbow and Franz Ferdinand.

Laneway Festival, Sydney

LANEWAY FESTIVAL
Sydney College Of The Arts
31/01/10

The venue may have changed, but the pleasant vibe that Sydney's most discerning festival crowd has created in previous years remained, and the SCA provided a pretty backdrop as Portland five-piece Hockey got festival-goers in the right mood with bucket-loads of infectious energy.

Philadelphia Grand Jury were their pleasingly chirpy selves and The Middle East's set featured some really strong moments, like Blood, which was Angus and Julia Stone meets Arcade Fire. While UK's Wild Beasts falsettoed their way through a faintly disappointing turn, the sassy and stylish Bridezilla (below) were simply divine. In a constantly impressive performance, Heart You Hold and Saint Francine in particular illustrated the combination of songwriting depth and enthralling stage dynamic that has become synonymous with Sydney's favourite quintet.

If The xx were overwhelmed by the crowd's fervour at their excellent display, then Mumford & Sons must have been pinching themselves at both the size and the reaction of their audience. “As a nation, you've embraced us more warmly than any other country, including our own,” singer Marcus Mumford gushed. Confident enough to throw away Hottest 100 winner Little Lion Man at the mid-point, the Brits' set may have lacked edge, but was nonetheless a nice mix of upbeat folk and quieter numbers.

Watching anti-folk legend Daniel Johnston (below) is never an entirely comfortable experience, and, dishevelled and singing from a lyric sheet, he cut a fragile figure. However, it didn't take long for his distinctive vocal and innocent yet melancholy lyrics to lodge themselves firmly in the hearts of fans well aware of his battles with the demons of his mind. When he sang: “That rock 'n' roll, it saved my soul,” it was a moment of unforgettable, unparalleled resonance.


As the food queues grew to ridiculous lengths at the back of the site, Sarah Blasko took people's minds off their rumbling bellies with a beautiful and immaculate performance, Echo and the Bunnymen offered up some hits with typical swagger and then Florence and The Machine (top and below) ripped through the headline slot with gusto. Backed by a band which included a harpist, Florence Welch - all long legs and red hair - prowled the stage as she belted out songs from her lauded debut album with an unbelievably stunning and powerful vocal. Her stage presence too was mesmerising. She bashed a drum, climbed atop amps and struck poses in front of an awestruck audience. By the time she ended with a winning trio of Dog Days Are Over, You've Got The Love and Rabbit Heart (Raise It Up) - all of which showcased that lung-busting voice - she had the crowd going apeshit. She may only have one album to her name, but tonight proved that Florence is already a worthy headliner and well on the way to becoming an icon in her own right.