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As we head towards the conclusion of our End of Year reviews, Neil Martin give his recommendations from 2011. Check back on New Year's Day for Bobbysix.com's overall winners of best film, album, gig and song:
Top
10 Albums 1.
We Must Become The Pitiless Censors Of Ourselves - JOHN MAUS (pictured, above) 2.
Space Is Only Noise - NICHOLAS JAAR 3. Wolfroy
Goes To Town - BONNIE PRINCE BILLY 4. The Ship’s
Piano -DARREN HAYMAN 5. Veronica Falls -
VERONICA FALLS 6. The Last Of The Country Gentlemen - JOSH
T. PEARSON 7. Ravedeath, 1972 - TIM HECKER 8.
Hurry Up, We’re Dreaming - M83 9. James Blake
– JAMES BLAKE 10. All Eternals Deck - THE MOUNTAIN GOATS
Top
10 Songs 1. On Battleship Hill -
PJ HARVEY 2. Believer - JOHN MAUS 3.
Space Is Only Noise If You Can See - NICHOLAS JAAR 4.
Found Love In A Graveyard - VERONICA FALLS 5.
Boeing 737 - THE LOW ANTHEM 6. Love The Way You
Walk Away - BLITZEN TRAPPER 7. Tree By The River -
IRON AND WINE 8. Thou Art Loosed - JOSH T. PEARSON 9.
Blue Suicide - COMA CINEMA 10. Replica -
ONEOHTRIX POINT NEVER
Films
1.
Drive
2. Snowtown 3. The Guard 4.
Troll Hunter 5. Small Town Murder Songs 6.
The Future 7. Confessions 8.
Tyrannosaur 9. Submarine 10.
Attack The Block
Neil Martin - Contributor Englishman Neil is a media teacher, musician and disc golfer - not necessarily in that order. He also knows more about films than you know about anything.
Over the next few days, all of Bobbysix's contributors will be sharing their highlights of 2011, culminating in the announcement of our overall album/song/movie/gig of the year later this week. Today, Editor Bobby gets the ball rolling: Top 10 albums 1.
A Creature I Don’t Know - LAURA MARLING Marling's
most expansive record and also her most accessible, it proves her to be
one of the most honest, intelligent and breathtakingly talented artists
in music today. 2. Twerps
- TWERPS Twerps
is the sound of a band growing up and
finding their sound. This is an album that could soundtrack long summer
days spent falling out of love. 3.Bad As Me - TOM
WAITS Existing fans will love it, while newbies
will find this the ideal place to begin their Tom Waits collection. 4.
Ceremonials - FLORENCE + THE MACHINE The art-pop of
Ceremonials exudes impressive confidence from a woman on top of her
game, while retaining enough of a dark edge to keep it interesting. 5.
Vows - KIMBRA Vows is a soulful, textured, vibrant triumph
of a debut which immediately establishes Kimbra as a unique and
genuinely exciting new artist 6.
In Your Room - CAMERAS The most refreshing
thing is that, rather than front-loading the big singles, as so many
albums do nowadays, it ebbs and flows like a set-list and feels very
much like a musical journey. 7.
Veronica Falls - VERONICA FALLS A beguiling,
intriguing coming together of dark and light, it is really rather
wonderful. Melancholy never seemed so much fun. 8.
Milk Annual - CAITLIN PARK The delightful truth
is that the nuanced, beautiful and outstanding Milk Annual is actually a
unique sounding record. And you can't say that very often these days. 9.
Smoking in Heaven - KITTY, DAISY & LEWIS If
the rubbish that litters commercial radio station playlists had
one-hundredth of the honesty, heart and soul that this record does, the
music world would be a much more satisfying place. 10.
Yuck -YUCK This album doesn't sound derivative in the
slightest, but rather is a fresh and exciting post-grunge offering with a
DIY ethic.
Top
10 songs
1. Defeatist - CAMERAS
2.
History’s Door -
HUSKY
3. Cameo Lover - KIMBRA 4. Who Are You? - TWERPS 5.
Walk Like Thunder - KIMYA DAWSON 6. Even Though
I’m a Woman - SEEKER LOVER KEEPER 7. Found Love in a Graveyard - VERONICA FALLS 8. Back in the Crowd -
TOM WAITS 9. Endless Summer - THE JEZABELS 10.
Covered By Snow - DEAD LETTER CHORUS
Top 10 gigs 1. FLORENCE + THE MACHINE - Seymour Centre,
Sydney So magical was the atmosphere in room during
this perfect occasion that to step back into the real world felt
painfully mundane. This was a wonderful and unforgettable night. 2.
DAVID FORD - The Empire Bar, Belfast At the midway
point, Ford ran down the street in order to play a song at Duke Special
and Phil Jupitus’ gig. They passed him on the way and came to read some
poems at The Empire Bar. 3.
KIMBRA - The Metro, Sydney Her effervescence was
complimented by her band as finger-clicking, red-suited male backing
singers boogied in the background. She even managed a mid-set costume
change.
4.SEEKER LOVER KEEPER -
St Stephen’s Church, Sydney
A night in a
warmly-lit church watching three talented and charming musicians can be
aptly summed-up in a single word. Lovely.
5.
THE GRATES - The Metro, Sydney
With the combination
of infectious pop, post-grunge and a singer that owns the room with her
lust for life, tonight once again proved that to see The Grates live is
to best understand them.
6.
CAMERAS - Changing Lanes Festival, Sydney
While
their atmospheric sound is best suited to playing in the dark, they
still gave one of the performances - if not the performance - of the
day (pictured, left)
7 SIMONE FELICE - The
Vanguard, Sydney
His voice was beautiful, ethereal,
transfixing and when he bowed at the end of the gig he did so with the
awkward charm of a five-year-old having performed in the school nativity
play.
8. KIMYA DAWSON & AESOP ROCK - Manning
Bar, Sydney
It was a rare joy to see two such different
artists sharing a stage and creating an evening of such eclecticism.
9.
THE JEZABELS - Homebake Festival, Sydney
Singer
Hayley Mary has something of the Kate Bush about her in terms of her
vocal and the band's pop songs were powerful and engaging.
10.
HOWLING BELLS - The Standard, Sydney
Simply, they
sound like a proper band, with clean, strong guitar driven indie songs
and an excellent vocalist in Juanita Stein.
Top
10 Films
1. Submarine
2.
Bill Cunningham New York
3. Snowtown
4.
Midnight in Paris
5. We Need To Talk About Kevin
6.
Black Swan
7. Senna
8. Drive
9.
Rise of the Planet of the Apes
10. The Guard
Top
5 TV Shows
1. 24 Hours in A&E
2. Match of the Day
3.
Boardwalk Empire
4. At The Movies
5.
Q & A
Top 5 radio
shows/podcasts
1. Kermode and Mayo’s Film Reviews - BBC
Radio 5Live
2. Guardian Football Weekly Podcast
3.
Arvos - FBi Radio
4. Desert Island Disks - BBC Radio 4
5.
The Allnighter - FBi Radio
Favourite
interview of the year
There were a few
actually. It was a joy to chat to Florence Welch, even though it was at
7am and I hadn’t been to bed from the night before. I also enjoyed doing
a face-to-face with Juanita Stein from Howling Bells. Our interview
would lead to me drunkenly teaching her how to use the DJ decks at
Sydney’s World Bar the next night. Speaking to Britany Nola was very
interesting. I always enjoy interviewing models, as they have so much to say and are rarely afforded the opportunity. Her words about
human rights and tolerance were inspiring. However, my favourite interview was with Laura Marling. I adore her work - firmly believing
her to be the best lyricist of her generation - and I enjoyed catching
up with her, as we first spoke over three years ago, when she was a shy
18-year-old. Though she is now a pretty big deal, it was lovely to
discover that she remains as unassuming, polite and friendly as she was
back then.
Highlight of the year.
Being
able to attend the first Brighton & Hove Albion game at The
American Express Community Stadium was an incredibly emotional end to a 14-year journey and something I will never forget. However, my actual
highlight came at Sydney’s Metro Theatre in September. I was attempting
to woo an especially beautiful lady when a young man came up to me and
said “Excuse me, I just wanted to say I love your blog.” It is the only
time in my life I have appeared cool and his timing was excellent.
2011
in words
Regina Spektor once told me that, "Man plans and God laughs." She could very well have been talking about my 2011. A fucked up fruitcake of a year, starting in the snow of England, ending in the heat of Australia, via Scotland, Northern Ireland and Eastern Europe. An era ending. Stolen moments in Budapest. A head resting on my chest in Sydney. Tourbus hilarity on the motorways of Britain. New friends on both sides of the world. A crack in everything. That's how the light gets in.
Prediction
for 2012
Our new website is going to blow your fucking
minds. Watch this space.
Bobby is the Editor of Bobbysix.com. He has written for publications and websites including CNN, Drum Media, Inpress, BBM, Time Off, Rip It Up andThe Argus. He has also appeared on BBC Radio 5 Live and BBC 7. He splits his time between Australia and England.
Written and directed by Justin Kurzel, Snowtown deals with the true story of Australia's most notorious serial killer, John Bunting, and his relationship with 16 year-old Jamie Vlassakis.
Set in the 1990s in a housing trust home in Adelaide's
northern suburbs, Kurzel's first full-length feature is an unrelenting account of the 'Bodies in Barrels' murders which shocked a nation and, fittingly, is very difficult viewing from the opening scene to the closing credits.
The narrative starts slowly - deliberately so - as it builds an almost unbearable sense of tension which increases as the story progresses. In a disenfranchised neighbourhood, Jamie's household is a pit of hopelessness, violence and sexual abuse until a salvation seemingly arrives in the form of the charismatic Bunting (played by Daniel Henshall). The two form a bond, with the terrifying Bunting imposing a strong influence over the confused youngster. As the pointless and gruesome murders begin to occur with painful inevitability, it becomes increasingly clear that Snowtown is a film that offers not a single shard of light, not a second of relief. This is an almost unbearably heavy journey which deals with horrific malice, violence and bigotry. But, tough as it is, it is also undeniably gripping and expertly crafted.
Stunningly shot, slow-burning, grim and incredibly tense, Snowtown is one of the bleakest and heaviest films you will ever see and is absolutely not for the faint hearted. But if you are looking for an exceptional piece of uncompromising Australian cinema, then you'll find it here. Just don't expect to feel good about the world as the credits roll.