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Showing posts with label best coast. Show all posts
Showing posts with label best coast. Show all posts

Monday, January 30, 2012

Big Day Out 2012


So, who remembered to put on sunscreen? Oh, that's right, NOBODY. And who got sunburnt to hell? Oh yeah, EVERYBODY. Well, actually, it wasn't so much that Big Day Out punters forgot to use sunscreen, it was more the fact that we were told it was going to piss down all day. Indeed, as Abbe May's powerful set of guitar-led indie-rock closed, the heavens opened and it seemed that BDO 2012 was going to be a mud-bath of Glastonburic proportions. But then something amazing happened (in the context of what has been the most rainy Sydney summer ever). As Best Coast brought their angsty-yet-perky, reverby indie to the table, the sun came out. As if on cue. For most of the afternoon, it remained H to the O to the motherflipping T. Like, seriously boiling. Lobster skin was order of the day, especially because there seems to be some kind of unwritten rule that the majority of the crowd must remain shirtless throughout. It makes sense though, I mean, how else would we be able to see their Southern Cross tattoos?

What's that? Oh yeah, the music.... Well, the aforementioned Best Coast were an early highlight, as were Sydney punkers, Chicks Who Love Guns. Triple J Unearthed winners Underlights displayed a sound that is clearly influenced by late 90s English indie. It was a shame that they suffered terrible sound (the bass was too prominent, everything else sounded like a muddy mess) because there were signs of promise there.

Boy & Bear brought a sense of serenity to the madness with their lovely set, which peaked when they covered Crowded House. Elsewhere, Battles and OFWGKTA were excellent and The Vaccines proved why they have received so much hype of late. Kimbra has been omnipresent this summer and she put in the strongest performance that we have seen from her so far. Vocally MASSIVE and exuding confidence in abundance, this woman is an absolute megastar in the making.


At the same time that My Chemical Romance were looking bored and old, Mariachi El Bronx doffed their sombreros to a huge crowd elsewhere in the concrete jungle of a site. Later, Kasabian did what Kasabian do while the day's highlight was going on in front of a criminally small crowd at one of the smaller stages. Kitty Daisy & Lewis (above) are simply wonderful. We have said enough words about how much we love them before, but, suffice to say, anyone at BDO who didn't pop along to see at least a couple of songs from this delightful trio of London siblings deserves to have their entire record collection smashed into tiny pieces. Whatever else you were doing, shame on you for not joining the couple of hundred people who were dancing like crazy to their amazing set (during which legendary Jamaican trumpet player Eddie Tan Tan Thornton made a typically impish appearance).

After this, we cut a dash to see the back-end of Foster The People's set and discovered where everybody was during Kitty Daisy & Lewis. Holy smoke, they were playing to a gargantuan crowd. Yeah, yeah, Pumped Up Kicks has been played to death but its appearance and subsequent mass sing-along was the feel-good moment of the festival in the early evening sunshine. Back in the arena were Soundgarden but, let's be honest, who really cares? After all, it's not 1994 any more. That said, Black Hole Sun did make us chuckle, as it brought back memories of how we used to sing it as Back Hole Mum as teenagers.

And then it was time for the main event. Kanye West announced his appearance by being hoisted way into the air on a cherry picker as puffs of smoke billowed below him (you can just about make him out in the blurry iPhone photo below) and the strains of Dark Fantasy kicked in. It was quite the spectacle and was greeted with an audible sense of awe from the massed throngs. This was followed by a fantastic version of Power. As starts go, this was as strong as anything we've seen, but his self-indulgence soon got kinda tiresome and his set list offered some seriously dull moments.


Post Kanye, Noel Gallagher & His Angry Birds (or whatever they're called) certainly knew how to keep the crowd happy, with a spattering of Oasis songs, including the underrated Talk Tonight in amongst his new stuff.

And, after Gallagher had done his thing, it was time for the shirtless masses to go home and apply some aloe vera to their bright red skin. All in all, it was a fairly unremarkable Big Day Out. Still, considering some of the headlines previous years have made, that's no bad thing.

Review by a sunburnt Bobby Townsend.

Wednesday, February 02, 2011

Best Coast - Crazy For You


Like everyone else, we kinda love Bethany Cosentino at BobbySix.com, and we love cats too, so imagine our excitement when our good friend Nialler 9 posted the new Best Coast video that features cats-galore. We just had to share the love. Enjoy!

Tuesday, December 28, 2010

2010 End Of Year Review - Top 10 Songs

Today's End Of Year account lists the Top 10 Songs of 2010. Yeah, yeah, we've definitely forgotten all of your favourites, and some of ours too, most likely. The ol' memory just ain't what it used to be. Still, these songs are all ace, so feast your ears on some of this gravy:


1. King of the Beach - WAVVES
At its best, Wavves' Californian punk-pop lands satisfactorily between The Beach Boys and The Jesus and Mary Chain. “You’re never gonna stop me,” yells Nathan Williams (above) over the irrepressible title track of the latest album.

2. Dance The Way I Feel - OU EST LE SWIMMING POOL


Feel-good indie-dance-pop magnificence (the 'feel-good' side of which is obviously kinda poignant now). Hunt down the Blue Eyed Boy Radio Edit too. It's even better.

3. 10 Mile Stereo - BEACH HOUSE
A truly stunning moment at the back end of Teen Dream, the glorious 10 Mile Stereo has a pulsing beat that builds towards rousing, sparkling shoegazey pop and ends with a crescendo that explodes like fireworks.

4. When I'm With You - BEST COAST
Cat-loving singer Bethany Cosentino has a lovely post grunge vocal that is effortless to the point of having a reluctance to it, like it’s a real drag sometimes for her to even summon up the words. Here though, it's all about the invinsibilty of young love. "When I'm with you, I have fun," she sings over guitars drenched in reverb.

5. Cloud Shadow On The Mountain - WOLF PARADE


Spencer Krug's tense spoken-word vocal, “I was asleep in a hammock/I was dreaming that I was a web/I was a dreamcatcher hanging on the window of a mini-van parked along the water's edge/I'd say that I was all alone,” is warbled like a paranoid David Byrne before all kinds of hell breaks loose on drums and guitar. It’s as magnificent as it is tightly-coiled.

6. To The Brink - I AM KLOOT
To The Brink is the best example of the tone of I Am Kloot's latest album. “I raise a glass, a smile or two/ Well, this stuff strips the light from your bones/And I would like to leave with you/But I stay alone,” says vocalist John Bramwell mournfully over strings, like a singer in the corner of an empty bar, bowtie hanging limply around his neck. It is a magnificent song and, in its hungover introspection, plays like the bleary-eyed uncle of Pulp’s Bar Italia.

7. I Can Talk - TWO DOOR CINEMA CLUB
Perky Indie-dance-pop from the Bangor trio.


8. Power - KANYE WEST
It's a shame that Mr West comes across as such an acceptance-speech-ruining douche, because, when he lets his talent do the talking, he comes up with magic like this.


9. Echoes - KLAXONS
A slightly rougher and heavier relative of Golden Skans (which, if you hadn't realised, was borrowing from Madonna's Hung Up - which itself was covering ABBA), it shows why Klaxons have always referred to themselves as a pop band.

10. Hurricane - DAVID FORD
It's our old mate David Ford again, with this epic, sweeping song which mixes the political and the personal. "God bless America, God save the Queen/God kill my enemies and keep my hands clean."


HANGING OUTSIDE THE TOP TEN: 

BEST SONG-YOU-LIKE-BUT-PRETEND-YOU-DON'T OF 2010:
California Gurls - KATY PERRY FEATURING SNOOP DOGG
At BobbySix.com we don't really believe in guilty pleasures. A song we like is a song we like. And California Gurls is as fun a slice of infectious pop as we have heard this year. Come on indie snobs... it's pretty good hey?

 

BEST OVERPLAYED-BUT-STILL-PRETTY -AWESOME DANCE SONG:
Barbra Streisand - DUCK SAUCE

Try not to ooh-ooh-ooh-ooh along. We dare you.

Tuesday, August 17, 2010

Best Coast - Crazy For You


Having caused a buzz with their early singles, California-based duo Bethany Cosentino and Bobb Bruno release their debut long-player. Lyrically, it’s all summer lovin’, lazy hazy days and unobtainable boys. “I wish he was my boyfriend/I’d love him to the very end/But instead he is just a friend,” sings Cosentino on album-opener Boyfriend. Next, Jesus and Mary Chain-style reverb bleeds through some sweet Ronettes harmonies on the album’s title track. Cosentino has a lovely post grunge vocal that is effortless to the point of having a reluctance to it, like it’s a real drag sometimes for her to even summon up the words.

And so the album continues on with its evocative adolescent yearnings, like Vivian Girls getting stoned in their car and gazing at hot guys through the window while The Beach Boys play on the stereo. So far, so awesome, but the only slight problem is that, after a few tracks, it becomes clear there aren’t many musical dimensions to Crazy For You. Most songs adhere to mid-tempo garage-rock rather than offering any diversions. However, such lack of variety isn’t really a massive deal considering the 13 tracks are all over inside 30 minutes, and bolting on one of the more jaunty numbers, former single, When I’m With You, as a bonus track exits the album on the same high it came in on.

Hinting at greater things to come from Best Coast, Crazy For You is, at the very least, a musical escape - the coolest daydream of summers past. And that’s reason enough to be grateful.