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Showing posts with label tour. Show all posts
Showing posts with label tour. Show all posts

Monday, July 23, 2012

White Arrows interview


Carol Bowditch chatted to lead singer and founder of White Arrows, Mickey Church, ahead of their new album release and upcoming Australian tour with Jinja Safari and Opossom (who she also recently interviewed):

Mickey Church is travelling through El Paso, Texas when we speak. He talks of excitement about his travel to Australia for the first time with his band, and speaks as if it were some distant, strange land, far, far away. “We have no plans,” he says. “We have no itinerary and we have no idea what to expect.”

White Arrows met Kody of Opossom when they toured with Unknown Mortal Orchestra. The band became acquainted with fellow tour-mates, Jinja Safari, they met at a hotel in London. Mickey says they “saw some dudes that looked like musicians and went up to talk to them and they happened to be Jinja Safari, who were coincidently playing the same tour there and were coming over to Australia together. It was a really funny that that happened.”

Dry Land is Not a Myth is their debut release after only a two year lifespan as White Arrows. Mickey said its creation was, “an interesting process, [there's] nothing really to compare it to since it's our first record, but it’s exciting that it's finally out. I’m thrilled at how it’s turned out. We just had one 7” and one EP before, so it’s nice to have something substantial out.” He continued, “We start with music with no lyrics in mind, sometimes we don’t ever use it. There can be a theme before the song exists, usually the lyrics come after the song.”

The White Arrows' sound had been described as psycho-tropical and borrows from many genres. For instance, Coming or Going has a dance vibe too it, whereas Roll Forever is dark and heavy with a grungier feel compared to other songs on the album. Mickey agrees that the White Arrows' sound is difficult to categorise, and encourages listeners to “come up with genres of what they think we sound like. I think that psycho-tropical is a really funny, cool name for a type of music.”

Mickey’s individual story is interesting and is reflected through the impressionistic, sensory nature of his music. He was born blind and only gained his sight at the age of 11. He says that White Arrows aim to create a, “visceral, overload experience. Different genres and different soundscapes. While working in conjunction with visual elements.”

The release of the video for Get Gone reflects just that. It features scenes of the band playing, with heavy filters and trippy visuals layered over the top. Mickey says that he finds the process of creating videos as "fun and easy within this day and age to put together footage of live shows and see how well that goes together with a song." The bands only official video is for the track, Get Gone. "The visuals came after but fit together so perfectly with the song."

I put Mickey on the spot to creatively describe his live show in three words only. "Shoot! That’s a tough question,” he replied. “How about crystallised, euphoric..." then he adds with a laugh.. "fish? [band-member] Ian says hallucination but, maybe: dreams, dreamscape, dreamlike?"

He continues to describe the experience of a White Arrows live show. “We like it to be a total sensory overload, a lot of projections, a lot of strobes, haze and fog. Like a complete sensory takeover. We like people, for that hour, to have a complete uninterrupted experience and whatever happens, happens. Just to be in the moment."

I ask him for any last words from the band. His reply is short and sweet and sums up the White Arrows mentality: “Everybody love everybody and that’s pretty much it."

Interview by Carol Bowditch
Tour dates here.

Tuesday, July 17, 2012

The Jungle Giants - She's a Riot


Filmed in one shot, in one room, in one day, the brand new clip from The Jungle Giants plays with the notion of space, position and continuity. Without the help of post production or editing, all the changes you see happened in real time. Members of Team Bobbysix are no strangers to making one-shot, one room, lots-of-people videos, so we were keen to share this fine piece of work with you.

In celebration of their band new single and EP, The Jungle Giants will be hitting the road with Sydney duo, Toucan throughout August.

Tickets are on sale now.
FRI 10 AUG - NORTHCOTE SOCIAL CLUB, MELBOURNE
SAT 11 AUG - JIVE, ADELAIDE
FRI 17 AUG - ELSEWHERE, GOLD COAST
SAT 18 AUG - THE ZOO, BRISBANE
WED 22 AUG - BEACH ROAD HOTEL, BONDI
THU 23 AUG - TRANSIT BAR, CANBERRA
FRI 24 AUG - CAMBRIDGE HOTEL SIDE BAR, NEWCASTLE
SAT 25 AUG - GOODGOD, SYDNEY

She's A Riot is released through Create/Control on Friday, July 27.

Monday, July 16, 2012

Getting to Know... Northeast Party House


We grabbed two minutes with Sean from Melbourne's Northeast Party House before their hometown single launch last Friday:

Northeast Party House are five mates, who used to be six mates but three of them left.

We are currently listening to our latest single Pascal Cavalier. We shot the video for it on the weekend so it's been on repeat in our brains.

Our single launch tour will be the most fun we've had since our last tour... "TOUR TOUR TOUR!"

Melbourne is about to be drowned in the sweat of our Corner Hotel crowd!

It might surprise people to learn... this

In the future Snail Zombies rule the world!

You can see Northeast Party House here this weekend:

Friday 20 July 
Goodgod Small Club, Sydney
Supported by Panama and Colour Coding
Tickets on sale now via Moshtix www.moshtix.com.au | 1300 GET TIX

Saturday 21 July
Alhambra Lounge, Brisbane
Supported by The Belligerents and Fairchild Republic
Tickets on sale now via Oztix - www.tickets.oztix.com.au | 1300 762 545

Wednesday, July 11, 2012

Getting To Know... House of Shem


House of Shem tell Bobbysix.com about their tours of Australia and the US: 

House of Shem are an all Maori trio of vocalists, song writers and producers, fronted by New Zealand Reggae ambassador Carl Perkins and his two sons Te Omeka and Isaiah Perkins with the best selection of Reggae musicians from New Zealand behind them providing the world with quality Reggae Music.

Our debut headline tour of Australia will be a fun experience. We love the vibe there the people are always happy and skanking when we come there! We are covering WA, VIC, NSW and QLD and we cant waitttt!!

Before then, we are travelling to The States in June to perform at the Sierra Nevada World music festival alongside some of the biggest names in Reggae music and performing for the first time in Hawaii. Hawaii has been waiting for over seven years for us to go there from the time we released I Love U Girl in 2003. Our song Thinking About You was a number 1 hit for a long time on the radio there. We cant wait to share our music and culture with the People of Hawaii!

We're currently listening to our children laughing and playing, also our new album which is sounding so niceeee! Also we are listening to Stevie wonder, The Eagles, Steely Dan, Bob Marley and the Marley Family, Alborosie, Steel Pulse, Big Mountain... the list goes on, but daily we just write and listen to our hearts and minds to create some music for you all.

Auckland is fire inna Babylon city, haha! Some of us are based in West Auckland and it is beautiful out here. You can see a bit of bush and it's nice and quiet because they limited how many alcohol outlets are out here, so even Better.

It might surprise people to learn that we have just recorded a reggae version of a Beatles song, ready to be released on a compilation that is been compiled in Argentina.

House of Shem Australian Tour 

Thurday 12th July - Wanneroo Tavern, Wanneroo WA 
Tickets available from www.oztix.com.au, www.heatseeker.com.au, www.moshtix.com.au, venue and usual outlets. 
Friday 13th July - Eliot St Bar, Bunbury WA
Tickets available from www.oztix.com.au, www.heatseeker.com.au, www.moshtix.com.au, venue and usual outlets. 
Saturday 14th July - Rosemount Hotel, North Perth WA Tickets available from www.oztix.com.au, www.heatseeker.com.au, www.moshtix.com.au, venue and usual outlets. 
Sunday 15th July - Leisure Inn, Rockingham WA Tickets available from www.oztix.com.au, www.heatseeker.com.au, www.moshtix.com.au, venue and usual outlets. 
Thursday 19th July - Kings Beach Tavern, Sunshine Coast QLD Tickets $25+bf from www.oztix.com.au 
Friday 20th July - Coolangatta Hotel, Gold Coast QLD Tickets $30 +bf from www.oztix.com.au Saturday 21st July - The Zoo, Brisbane QLD Tickets $30 +bf from www.oztix.com.au 
Sunday 22nd July - Byron Bay Brewery, Byron Bay NSW Tickets $25 + bf from www.oztix.com
Thursday 26th July - Cambridge Hotel, Newcastle NSW Tickets $30 +bf from www.moshtix.com.au Friday 27th July - The Standard, Sydney NSW Tickets $30 +bf from www.moshtix.com.au & www.eventfinder.com.au 
Saturday 28th July - Deep Roots @ The Espy, Melbourne VIC Tickets from www.oztix.com.au

Monday, July 02, 2012

Zulu Winter interview


Carol Bowditch talks to Will Daunt of Zulu Winter in the midst of their hectic touring schedule:

Zulu Winter are sardined in the back of a van, whizzing about the streets of London after playing a gig. They are in high spirits, as the show had gone well, and they are humbled that “people had actually come to see us.” How sweet. Vocalist Will takes a few moments out to have a chat to me about their upcoming shows:

So you’re heading to Australia for the Splendour in the Grass festival, have you been before? 
I have actually, when I was 18. I did the whole thing of travelling up the East Coast and yeah, got very drunk and didn’t really see anything of importance, ha.

Will you get any time off to have a look around this time? 
Well we are only there for like nine days. I think we are just literally playing gigs. We will probably just do what I did last time, which was see the inside of bars. Yeah, it’s going to be amazing, we cannot wait. It’s a very weird thing for us to come to Australia cause we're so far away and you know, like, it’s really, really exciting, we’re really stoked.

So you guys met when you were kids and then you went off to college. What brought you back together to make music? 
I think that we just really needed to do it because we kind of just messed around in bands. When we turned a certain age, we thought if we are going to make a record, then we should make a record, and that’s what we did... We really wanted to make an album, and we really wanted to do it properly.

I read somewhere that you were in a Sex Pistols tribute band? 
Hahaha, that was our guitarist and keyboardist. They called themselves “The Next Pistols”, which is, you know, a genius title.

Your debut album, Language, has just been released. What were your musical influences for the new record? 
We all love bands like Portishead, Caribou and other stuff, but actually, we’re all into quite different things. Our drummer is into electronic, dance. I’m more into like pop, more song-based stuff, it has to have some sort of sentiment.

What’s your favourite track off the new record? 
I kind of waiver between two, I’m a big fan of the last song (People That You Must Remember), just because we had that song for a long time and it started out as this big rock anthem and we didn’t really feel comfortable with how it was sounding, and I didn’t really have faith in it. Then our guitarist, took the song by the balls and had a vision for it, and it turned into this very relaxed, spooky song and I just really love it.

The other song, Worlds That I Wield, just appeared. We were playing one day and it just turned up, which is a lovely way to make a song.

I like the video for the new song We Should Be Swimming. Can you tell me a little about how you created it? 
It is inspired by a woman called Loie Fuller, she did this thing called the “Serpentine Dance”, we wanted to use that and make something quite different...  It was filmed in Scotland in mid Winter, which is unbelievably cold. The dancers actually had it much worse than us, wearing leotards in this, like, freezing bog, up to their ankles in freezing water, ha.

So what should we expect from your live show? 
People kind of expect that us to be like a “dance act”, it’s actually got a bit more subtlety to it than that. We’re quite moody and down, and I hope that it’s slightly unsettling, in a way as well.

Some of the songs are about some stuff that is not that pretty. So it’s quite nice to have a slightly darker show as well. We’re definitely not a metal band, ha, but there is darkness to it. Also, no encores, unless people actually want an encore cause there’s nothing worse than a rehearsed encore!

 Zulu Winter are playing heaps of shows across the UK, Europe and Australia over the next couple of months. Check their tour dates on Facebook. Especially exciting are their dates in Melbourne and Sydney (24th & 25th July), as they are playing on an epically awesome bill alongside Howler and Friends

Interview by Carol Bowditch

Thursday, June 21, 2012

Get $25 off your Parklife ticket with Bobbysix!


UPDATE: THE BOBBYSIX TICKET OFFER HAS NOW CLOSED. YOU CAN STILL CLICK THE ABOVE LINK THOUGH TO GO TO THE PARKLIFE TICKET PAGE: 

The epically awesome Parklife festival returns to Australia this September/October, and this week an appetite-whetting line-up was announced, not least the long-awaited return of electronic royalty, The Presets. As well as their unmissably massive performance, you can see the likes of Nero, Passion Pit, Citizens and Brighton's Rizzle Kicks. Also, we're especially looking forward to catching Tame Impala, Chairlift, that sweary scoundrel Plan B and electro pop queen, Robyn. 

And the best news? We've teamed up with our mates at Fuzzy to bring you a ridiculously good deal. Click on the above picture or click this link to get $25 off the cost of a ticket. For reals! 25 Bones! All you have to do is follow the link and enter the promo code SIXER to take advantage of this insane generosity.

Grab your ticket now (the offer wil expire at midnight on June 25th). We'll see you at Parklife and will gratefully accept you buying us a beer with some of the 25 bucks we just saved you.

Check out the full line-up for the festival - which visits Sydney, Melbourne, Brisbane, Perth and Adelaide - on the Parklife website.

Sunday, June 17, 2012

Kate Nash - UNDER-ESTIMATE THE GIRL


Written and recorded in less than 24 hours, Kate Nash is back with a new song. It's a world away from the plinky-plonky piano pop with which she made her name, and follows on from the post-grunge, punky guitar-led foundations (no pun intended) that she laid down on her second album. What are your thoughts on this seemingly Hole inspired inspired shoutfest? We like it, here at Bobbysix.

You can download UNDER-ESTIMATE THE GIRL for a limited time only here and you can see Kate on tour in the UK in the following places:

Sun 17th         Glasgow King Tuts: 14+
Mon 18th        LeedsBrudenell: 14+ with adult, 16+ without
Wed 20th        Liverpool Zanzibar: 18+
Thurs 21st      Manchester Deaf Institute: 14+
Fri 22nd          Nottingham Bodega: 14+
Sun 24th         Birmingham Glee Club: 16+
Mon 25th        Bristol Thekla: 14+
Tues 26th       Oxford Academy 2: 14+
Thurs 28th      Brighton The Haunt: 14+
Fri 29th           Guildford Boileroom: 14+
Sat 30th          Cardiff Ifor Bach: 18+
JULY 2012
Mon 2nd         Limerick Dolans: 18+
Tues 3rd         Dublin Whelan’s: 18+
Wed 4th         Belfast Limelight: 18+

Friday, June 15, 2012

Cameras - June


It's simple really. We've been following Cameras since the very beginning and we love them. We have always loved them and, unless they, like, go all rubbish in the future, we always will love them. So it's our joy to bring you their latest clip. All blood, bunkers and awesomeness. Shit yeah.

Cameras' "June in July" tour:

Wednesday 20 June - Sofar Sounds/YouTube Secret Acoustic Show, Sydney
Friday 13 July - "Can’t Say” @ Platform One, Melbourne
Saturday 14 July - The Workers Club, Melbourne.
Sunday 15 July - Pure Pop Records, Melbourne
Wednesday 18 July - UNSW, Sydney
Thursday 19 July - Alhambra Lounge, Brisbane
Friday 20 July - Great Northern Hotel, Byron Bay
Saturday 21 July - FBi Social Club, Sydney

Thursday, June 14, 2012

Bat For Lashes announces new album and UK tour


We love Natasha Khan. Mostly cos she's a Brightonian, like all the best people. Oh yeah, and because, she's, like, totally awesome at songs and stuff. Anyhoo, the exciting news is that her hotly anticipated third album, The Haunted Man, is coming out on 12 October 2012 via Parlophone/EMI Music.

A full UK tour has just been announced, including The Forum in London on 29 October, summer festivals like Latitude and Bestival and a final date back in good ol' Sussex by the sea,

Since releasing the universally acclaimed album Two Suns in 2009, which has now sold over 250,000 copies, Natasha toured South America with Coldplay in 2010, collaborated with Beck to write a song for the Twilight film, Eclipse, headlined two sold out shows at the Sydney Opera House in June 2011 and covered Depeche Mode’s Strangelove for Gucci’s Guilty campaign, released on limited release on 7” vinyl for this year’s Record Store Day in the UK.

Full details of all her tour dates can be found at www.batforlashes.com


Wednesday, June 13, 2012

Electric Guest interview


Vinisha Mulani has a chat with Matthew Compton of the bangin’ and soon to be tourin’ Electric Guest:

So here's the history lesson on Electric Guest. The band is made up essentially of two guys, Asa and Matthew. Asa’s brother is Jorma, of Lonely Island (Dick in a Box, anyone?). Jorma is friends with Danger Mouse. Danger Mouse is a magical producer who has worked with the likes of the Black Keys, Beck, Gnarls Barkley and The Shins. He heard them, he liked them, they moved in, they hung out, they recorded.

So tell us a bit about your debut album, Mondo. Having Danger Mouse as a producer must be exciting.
Yeah, I mean it kind of happened a while ago. Before Asa moved to L.A. he was living in Brooklyn, and his brother Jorma is friends with Brian (Danger Mouse's real name). One day his brother played [our music] on the phone, and Brian liked it. We moved to LA, Asa took Brian’s room and Brian had made a studio in the basement, so we started recording there.

We worked for years on the album, we both kinda had our things, and we worked on things together, then we got a bit more serious about it. It wasn’t real until we were mixing the album and Brian said ‘You guys gotta put your band together’.

Tory and Todd Dahlhoff play with us live. Todd’s amazing. He just moved to LA with his brother- we rehearsed for a year before we started playing together.

I read that you cite some of your influences as 60’s era French pop and Indie Rock. Anything you’re listening to right now in particular?
Yeah, it definitely influences my bass. I listen to everything, but I really like Michel Colombier, who is a composer. And there’s another guy, Francois de Roubeaix - he’s one of my favourites. He does mainly films scores, and he actually records by himself, writes the scores himself, he does everything.

So you’re the drummer live, how about when you’re recording? 
Yeah, live I do drums. While recording I do a few of the bass parts, a few of the guitar parts, just kind of whatever.

So you’re a bit of a Francois yourself? 
(laughs) You could say that. Or trying to be, anyway.

What did you do before Electric Guest? 
I’ve been touring for 10 years, or something like that. I played in a band called Cursive for a while. I played in a lot of rock hardcore bands, but I didn’t really enjoy it. I always wanted to play in a band with more like electric bass lines, more like this one.

Do you and Asa write together? How are your styles similar and different?
Yeah, I mean a lot of the ideas we have to make a good song are the same. We worked on Mondo together for years. We come from different places, from different backgrounds. He’s more into hip-hop and I’m more into indie rock but we love that. We both agree on what works about music, and we both like the same things about songs – we both like the same pulse about the song. We agree on what works and we find a common ground between the two styles.

You’ve been touring for a while now – and still have a lot of touring to go, with a lot of fun festivals coming up. Where are you looking forward to going? 
I’m the most excited about Australia (the band is playing Splendour in the Grass this year).

Good answer. 
No, really! Because I’ve never been. I’ve been talking about it all summer long. I was really hoping to go, I’ve heard really good things about it, and I heard Splendour in the Grass is a great festival.

One of the guys that plays in the band with us has been before, and I’m really looking forward to it. Someone told me that people in Southern California and people from Australia have the same attitude, same way of life.

Finally, what’s a dream collaboration for you? Who would you love to work with one day?
Blonde Redhead. They’re one of my favourite bands.

You can check out Electric Guest's tour dates over at their Facebook page.

Interview by Vinisha Mulani.

Thursday, June 07, 2012

Elizabeth Rose interview


Carol Bowditch grabbed a few words with Elizabeth Rose about her current Australian tour:

How are you feeling about your first headline tour? 
I'm really excited to be on my first headline tour! With excitement comes also nerves. I get worried about the number of people turning up to the shows, but so far it hasn't been that bad!

What can people who attend your shows expect?
In my live show it's just me up onstage with my keyboard, laptop, sampler and me singing. I try to spice things up a bit with quirky outfits and makeup! The music I play live is slightly varied from the recordings, I like to experiment with new melodies and extended edits of the songs with obscure intros and outros.

You recently joined Chairlift on a national tour. How was that experience?
Touring with Chairlift was so incredible. I've been big fans of them for a couple of years and getting to meet them was just so surreal. Caroline and Patrick are so down to earth and they are so creative in their songwriting. I had a few good chats with Caroline about bands we're into and now I'm working on a remix for them!

Your video created with Ben Wilson is insane! How did you come up with the concept and do you think that video clips are an important tool to compliment your music? 
The video clip is trippy, hey? The concept came about when we realised we didn't have the time to shoot a proper clip from scratch. I wanted to use live footage from my single launch at GoodGod [in Sydney] but didn't want it to look like a 'live' show, if that makes sense? And that is where the crazy effects and overlaying of images came in! Video clips are a very important tool to compliment the music, they amplify the meaning/vibe/energy of the song and they are also really another fun tool to use to further express yourself as an artist.

Tell us a little about the collaborations you've been working on...
I've been working with some exciting people lately. A track with Flight Facilities should be coming out in time for summer later this year, and a track I did with UK producer Sinden will be on my EP. I've also been working on a track with a fellow Sydney producer Frames.

What have you been listening to lately? Can we hear any of these musical influences within your music? 
Lately I've been getting into the new Simian Mobile Disco album, Unpatterns. Also listening to Patrice Rushen, an 80's soul singer. Her album Straight From the Heart is great!

After the tour, what else have you got planned in 2012? 
After the tour I'll be madly preparing for the release of my EP! I'm in the middle of producing it at the moment. After that I have a few festivals coming up, including Mackay Festival of Arts which is a sci-fi dress-up theme! At the end of the year I want to start working on another release, possibly an LP....

Tell us something that it would surprise us to learn about you...
I love to go fishing. Ha! Bet you really didn't see that one coming.

Elizabeth plays at The Standard in Sydney this Friday, 8th June (tickets www.moshtix.com.au) and at Fresh Prince @ Transit Bar in Canberra on Saturday 9th June (tickets on the door).

Interview by Carol Bowditch.

Monday, June 04, 2012

Boy and Bear at The State Theatre, Sydney


Sophie Metcalfe reviewed and photographed Boy and Bear's gig in Sydney last week:

It has been a while since I’ve been to an all-ages gig. I think we can all agree that the all-ages plaque is usually an instant repellent for anyone who’s post teen. An environment involving small greasy things with underdeveloped limbs prodding our sides and screaming ‘I love you’ toward the stage. But, if there’s anybody thinking of enduring such a crowd – then The State Theatre is the place to be.
No wait - Boy and Bear at The State Theatre is the place to be.

It was great to be in an atmosphere where the excitement started from the opening song of the first act. Tin Sparrow began with their chai scented folk like a welcoming hug. Following this was Jungle Giants and although I usually switch off when any Vampire Weekendesque indie-rock comes my way – I actually caught myself bopping along somewhat pleased! By the time Boy and Bear came on, the excitable young things, the palatial setting and the man walking around selling candy and ice cream had seduced me. So no matter what went down I had already given this night a thumbs-up.


Opening with Rabbit Song – the boys quickly reminded us why we were all there. Grabbing our attention with flawless harmonies and a fluid light display, Boy and Bear had captured the attention of everyone in their hot little hands. One thing to be said in particular is that they have a great onstage presence. Engaging in banter that isn’t flawlessly witty, but rather a relaxed and goober-esque interchange between mates, it made you feel like you were in their garage drinking their dads' Coopers and just having your usual Sunday night session. They have a knack however, of going straight from having this grand old chinwag to slipping into a beautifully executed, intimate minor melody.

They glided through an impeccable set which was sprinkled with heckles from girls ranging from ‘marry me Dave’ to ‘I love you’ and there was even a sneaky ‘fuck me’. By the time the set got to Feeding Line, the girls were out of their seats and lining the walls of the theatre; everyone had fallen in love with
them all over again. There was an endearing little spiel about how they don’t like the idea of encores and then told us of their ‘mock-encore’, which involves pretending to leave the stage. Dave shoots one last heart melting glance to the audience, the girls scream a little more and then they play their ACTUAL last song.

Thank you Boy and Bear – for pulling a cynic out of her depths and giving her a truly fantastic, light-hearted night at the theatre.

Words and photographs by Sophie Metcalfe.

Friday, June 01, 2012

Ned Collette interview


Carol Bowditch talks to Melbourne-born, Berlin-based musician Ned Collette about his upcoming album and Australian tour: 

Your sound seems to take influence from different genres. Do you have an especially eclectic music taste? 
Sure, I guess. I mean I listen to all sorts of stuff from all over the shop really. Different times and places. And though it might seem eclectic it's somehow all tied together in my mind by some indefinable thread. Goodness, or honesty, or risk, or something that makes me feel like the artist/composer is really putting themselves on the line. I guess the one thing I'm not really good at is knowing about new music - stuff that is coming out now. It seems to take at least five years or so for something to filter through to me. I keep realising things I think are new are ten years old already.

In what ways do you think this album differs from the 2009 long-player that Ned Collette + Wirewalker released? Were these differences planned or did they occur organically?
It's a lot more sonically diverse, mostly because it began as stuff I was recording on my own and was then developed with Joe in any direction we felt like taking it, rather than from one session based around the band recording some songs on our usual instruments. So it's not as rock, it's not really as heavily guitar based, though the lyrics and themes have continued in a direction I can't seem to avoid. In that sense it was really organic but the album certainly wasn't planned as a Wirewalker album until quite far into the process.

You created the new album after expatriating to Berlin. Was it an easy relocation? There are some dark themes within the album that suggest that there might have been some difficulties.
It was remarkably easy really. Berlin is a a wonderful city that is very easy to become familiar with. Sure there were difficulties, but no more than usual in a comfortable, first world, white middle-class kinda scenario. I find personal difficulties always get projected on to the background of one's environment though, and I really like writing from that point of view, as if the city or the space around you is somehow an accomplice or at least a witness to your experiences.

You recently toured the UK and Europe. How was it? Any particular favourite gigs/cities?
We haven't toured here properly since 2010, but I've played a fair bit here and there solo since then. It's good. People listen like crazy in Europe - the rooms are silent. They like to let you know exactly what they think afterwards too, which is sometimes interesting, but often gets in the way of the first drink… I played one at the Swiss Cultural Institute in Rome last year which was very beautiful but not
a great crowd - a bunch of Swiss artists and scientists wanting to get off their faces and dance to a horrible Parisian cover band. Other than that, the closing party of a warehouse party institution with the Wirewalker in Freiburg, the regular gigs to a very faithful but also varied crowd I do in a small place here, playing with Kurt Vile last year…

Are you excited about your upcoming tour of Australia?
Yes, very excited. The band played one show of this material when I was back in Melbourne mixing it in October and it was by far the best gig we've ever done. Easily. Even though James and Ben weren't involved in making the record, they understood and fitted their respective things effortlessly into the songs. It was really very enjoyable.

After the tour, what do you have planned for the remainder of 2012?
Well, the album is coming out worldwide in August through Fire Records, so I'll be back here and hopefully busy with that, and with trying to find a way to get the whole band touring a bit more over here again. I'm also going to spend a couple of weeks on a Greek island with a bunch of friends at the end of summer, which has been taking up a fair portion of my consciousness ever since we made that
decision.

Tell us something that we might be surprised to learn about you...
I genuinely think George Michael's 'Faith' is one of the best albums ever made.

Ned Collette + Wirewalker Australian Tour 2012

June 14 - Brisbane, Blackbear Lodge
Tickets: www.mobileindustries.oztix.com.au

June 15 - Sydney, Fbi Social
Tickets: www.mobileindustries.oztix.com.au

June 16 - Adelaide, Metro
Tickets: www.mobileindustries.oztix.com.au

June 21 - Canberra, Front Gallery (Ned solo)
Tickets: www.mobileindustries.oztix.com.au

June 23 - Melbourne, Northcote Social Club
plus Inevitable OrbitTickets: www.northcotesocialclub.com

Interview by Carol Bowditch. Visit Ned's site here: www.nedcollette.com

Monday, May 28, 2012

Florence & The Machine at Sydney Entertainment Centre


Celeste Macdonald braved the rain to check out Florence & The Machine's huge show in Sydney last week:

On Thursday night, Florence & The Machine returned to Sydney on the Ceremonials tour. Needless to say, it was amazing. In such a large space as the Entertainment Centre, I always question whether any act can command the entire audience's attention for the length of the show. And then the hyperbolic silhouette of Florence Welch appears from behind a mysterious orange curtain to an audience of thousands of screaming teenage girls. If all you had to go on was the high-pitched screaming alone, you would've thought you were at a One Direction concert.

Wearing a silken cape, silver beaded shoulder-piece and velvet cut-out tights, coupled with her flaming red hair, as she steps out from behind the curtain singing the opening lyrics to Only If For A Night, Florence Welch looks like some kind of Norse Goddess of War.

Playing a nice mix of new and old, Florence & The Machine are skilled in giving the crowd exactly what they want. Playing all the hits with the same energy as if they were just released, reading through fan letters (which involved actually spotting one eager fan from an audience of thousands and personally thanking them for their gift of gin) and encouraging the crowd to join in at every step is probably what makes their live shows so appealing to the masses.

Mid way through, Florence urges as many audience members as possible to climb on to each others' shoulders. As one by one they hop up, Rabbit Heart (Raise It Up) fittingly begins. Several times during the show, the theme of the Ceremonials Tour emerges. Florence politely asks the crowd to "Please be upstanding for the hymn." It gives the show a formal and orchestral quality and showcases Florence's brilliant vocal talent – leaving this reviewer wishing I was one of the lucky attendees of their Friday night show at the Sydney Opera House.

Review by Celeste Macdonald. iPhone pic by Bobby Townsend

Saturday, May 26, 2012

Wavves at Oxford Art Factory, Sydney


Carol Bowditch checked out Wavves and Sures in Sydney last week: 

Local young guns, Sures, warmed the crowd and I couldn’t help feel like my 16-year-old self at a battle of the bands show at my high school. These kids have potential but just were going at it much like teenage sex, everything, all at once, with underwhelming results.

By 10pm, the faux stoner, Hawaiian-shirt-wearing crowd had packed out OAF and excitedly waited for Wavves to take over. The Cali boys opened with King of the Beach and everyone completely lost their shit. This track set a breakneck pace that was sustained for the rest of the show.

The set was heavy with material taken from their last two albums. They churned out songs from their 2011 release, Life Sux, including I Wanna Meet Dave Grohl, while selections from their standout previous album showed diversity, such as the more sombre Green Eyes. Meanwhile, slacker anthem Take on the World had the crowd throwing themselves about, stage-diving and roaring the chorus.

I was aware that the band had recently been playing a cover of Sonic Youth’s 100% as part of their set and once again it made an appearance. The addition of their rendition of the punk classic was better than expected and well executed in classic lo-fi Wavves style.

Wavves' surf-infused brand of garage punk was a fine way to spend a brisk Tuesday night and a more-than-welcome distraction to the working week for a boisterous Oxford Arts crowd. After the four-piece belted out the hits and made the requisite references to smoking weed, we all went home with ringing ears, content in the knowledge that the opening riff from King of the Beach would be stuck in our heads for days.

Review by Carol Bowditch. Shitty iPhone pic by Bobby Townsend.

Wednesday, May 23, 2012

Kids Of 88 - Tucan


Evocative, wistful and driving, Tucan is the first single from New Zealand duo Kids Of 88’s forthcoming second album, Modern Love.

"Who are Kids of 88?" we hear you ask? Well, they bounced onto the scene with 2009's My House, a major hit in their homeland that saw them tour internationally, release their debut long-player Sugarpills, pick up some New Zealand Music Awards and several gold and platinum singes.

The new single sees Sam McCarthy’s vocal blend into a sound world composed of hip-hugging Kudoro drum rhythms, acapella arrangements and water droplet melodies. With a vocal assistance from Alisa Xayalith of The Naked And Famous, Tucan uncovers a gentler, more melancholic side to a band renowned for their party-starting live performances. But you don't need us to tell you that. Just click play on the below clip to hear for yourselves.


Kids of 88 are playing a little Australian tour. You'll find them: 
Saturday, 9th June - Alhambra Lounge, Brisbane  - tix $12 from Oztix.com.au
Wednesday, 13th June - Beach Road Hotel, Sydney - free!
Friday, 15th June - Esplanade Hotel Melbourne - tix $12 from Oztix.com.au

Tuesday, May 22, 2012

Reef cancel Australian tour



Due to a bereavement in the Reef family, it is with great regret that the UK band are cancelling their Australian tour which was set to start on June 1st. There are no plans to reschedule at this point so fans will be able to get a full refund at their point of purchase.

The band would like to extend their apologies to anyone who has purchased a ticket and to thank Select Touring for their understanding at this time.

To dilute your disappointment, you should get your hands on their complete recorded works in an all-encompassing box set. Spanning across their ten year career, the 9 CD and 1 DVD package features every commercial song recorded, including their very first demo, The Purple Tape – which lead to the band being signed to Sony - as well as b-sides, demos, live tracks, rarities and previously unreleased and unheard material. The DVD includes all music promo videos, TV appearances and interviews and some home movie footage capturing the story of this iconic ‘90’s band. Beautifully packaged the box set also contains a 64-page booklet featuring never-before-seen pictures of the band, a 12” vinyl of their newly arranged 5th album (Lucky #5), a vintage poster and a replica demo of their Purple Tape sessions.

Friday, May 18, 2012

Reef interview


Reef's Gary Stringer talks to Bobbysix.com about the band's box-set and their upcoming tour of Australia:

UPDATE, THE BAND HAS CANCELLED THEIR AUSTRALIAN TOUR. DETAILS HERE

Here's the interview anyway:

It's your first tour of Australia for 12 years, do you remember much about your last trip here? 
I don't know about our exact last trip but I can remember beaches and sun and pies and surfing and hot gigs and space and orange sand and friendly folk and Daryl Somers.

What are you most looking forward to about coming back? 
All of the above, maybe bar Daryl.....

How has your touring dynamic changed since last time you were here? Are things a bit less crazy on the road nowadays?
Sure. I sleep more and drink and smoke less, but it still feels like a party. I've been doing an acoustic band with Jack these last two years (http://stringerbessant.com/), so the contrast is massive between the two. Last year we played with Reef in front of 80,000 people at Wembley Stadium to open the football season here and ended up that same night playing with stringerbessant to 500 folk on a beach in Cornwall as the sun went down. That's what i'm talking about! Yeah man!

Does is still excite you to step on a stage, all these years on? 
Yep, for sure. I love singing more than ever .

The tour coincides with an all-encompassing box-set of your work. Can people expect a greatest hits set-list at your shows?
You got it! We did two shows in London last month to promote the box-set launch here and we played plenty of b-sides and rarities and all the hits too, but I would say we'd be primarily sticking to the hits for the Australian jaunt.

When your box-set was being put together, were there any songs from your back-catalogue that you had forgotten about, or that you didn't often play live, that have since found a new lease of life? 
Plenty. It was fun rediscovering songs that we had forgotten about and songs that weren't released first time around. Then we picked our favourites and played 'em live. The b-sides were like Reef with the shackles off, no commercial awareness needed, just sing and play, you know?

Conversely, are there any songs that you listen to now and think, 'ooh, I wish we had done that differently'?
Of course. I should like to make some small changes to some of the lyrics on Rides! And there was no need for those huge choruses on Wandering and Solid. In fact, I may do a couple of edits of those songs when I get five minutes. Ha!

What does the future hold for Reef? New albums? More shows? 
No new album planned as yet, but never say never. Me and Jack have a ton of new songs for the second stringerbessant album which we hope to record this autumn/winter and we're talking Dom into playing drums on it. Maybe next time if we get Ken involved it'll be a new Reef record. ha!

Tell us something that we would be surprised to learn about Reef... 
We won the 1996 soccer six cup? We had the biggest selling front cover of NME in 1997? Kenwyn has five fingers on his left hand?

Interview by Bobby Townsend. Photo courtesy of Steve Gullick. Check their Australian tour dates here.

Wednesday, May 16, 2012

Kirin J Callinan - new video and tour news


We first chanced upon Kirin J Callinan in 2006 as as the guitarist of Mercy Arms. He was clearly a very talented musician and soon became a good friend. We turned up unannounced one time at his apartment to find him shirtless and wearing a spectacular pair of high-waisted, tight, purple corduroy pants. When we asked him why he was dressed so utterly brilliantly, he kinda looked puzzled, shrugged and said that he was just cleaning the kitchen. It was at this moment that we knew this was a fellow who did things differently from the norm.

And so it proved to be. Since Mercy Arms split, Callinan has freed himself from the shackles that confined him during that time and has gone on to become one of the most inventive, brave and exciting artists around, as his new single and video clip (above) illustrates.

A synesthetic joyride to the frontline, W II W (Way to War) is the first single from Kirin's forthcoming debut solo album and launches with this amazing, gif-laden video clip from acclaimed film director Kris Moyes. All napalm, machine guns and loneliness, choppers and tracer bullets, W II W (and its accompanying b-side, Thighs) will be digitally released worldwide on 19 June and on 7" vinyl on 31 July.

Kirin will be playing a few Australian dates in June. You'd be an idiot to miss him:

Thursday 21 June Black Bear Lodge, Brisbane
Supported by DCM + Nite Fields + Kangaroo Skull
Tickets available from www.oztix.com.au

Friday 22 June Goodgod Small Club, Sydney
Supported by DCM + Forces + Kangaroo Skull
Tickets available from www.moshtix.com.au

Thursday 28 June The Tote, Melbourne
Supported by DCM + Machine + Kangaroo Skull + Forces DJs
Tickets available from www.moshtix.com.au


* NEW SHOW JUST ANNOUNCED* 
Friday 29 June The Exeter Beer Garden, Adelaide (solo show)
Supported by Lochie Wilson (Steering By Stars)
Free entry

Saturday, May 12, 2012

Session Victim - Dark Sienna


Ripping apart the one's and two's, Session Victim don't care about the boundaries of house music, taking it from disco to soul to hip-hop and back, with the aim of stamping love on every groove and leaving a smile on everyone’s faces.

The German duo will release their debut LP, The Haunted House Of House, on Delusions of Grandeur this week. Check out Dark Sienna, the brand new video for the opening track of the album above and, if you like what you hear, then you can find them causing bother at the following European venues:

May 05 Schon Schoen, Mainz
May 17 Ego, Hamburg
May 25 Monocult, Leeds
May 30 Watergate, Berlin
June 16  Silbergold, Frankfurt
June 22 Chicago Social Club, Amsterdam
June 23 Kapitel, Bern
June 30  Auslage, Vienna
July 06 About Blank, Berlin
July 10 The Garden Festival, Tisno