NOTE, BOBBYSIX HAS MOVED. PLEASE VISIT OUR NEW SITE INSTEAD, WHERE YOU WILL FIND SO MUCH AWESOME CONTENT THAT YOUR EYES WON'T KNOW WHERE TO LOOK FIRST: SOMETHINGYOUSAID.COM
Showing posts with label melbourne. Show all posts
Showing posts with label melbourne. Show all posts

Friday, July 20, 2012

1929Indian at The Toff in Melbourne


Ebe Cassidy checked out a very mysterious gig from 1929Indian:

Having arrived at the Toff on a chilly Wednesday night knowing very little about 1929Indian, I left the gig knowing very little more. Mystery was the word of the night. Support Poco la Pax played a set so early I couldn’t say for certain if anyone managed to catch it, they then proceeded to disappear. We arrived to a very nearly empty room, the disco lights twinkling softly over the quiet, tiny audience when gradually bits and pieces 80’s inspired electro pop group 1929Indian began to materialise onstage until all five members were ready to play a blink-and-you’ll-miss-it, six song set.

What recorded comes across as a jaunty, synth-driven sound with really fun nods to 80’s legends like The Cure, live was a somewhat more melancholy experience. Perhaps lacking enthusiasm due to the modest size of the audience - or could it have been the unfamiliar Melbourne chill, 1929Indian's lacklustre set conveyed less about their musical ability and more their desire to be somewhere else (notable exception: a cheerfully smiling keyboardist).

What 1929Indian may have - on this particular night - lacked in eagerness to perform, they certainly made up for in looking the part, all came dressed to impress in dangerously tight denim and a fitting air of dankness. It wasn’t solid moodiness though, Women In Cages, the lead single, proved to be an enjoyable moment, hinting at what the band can do when they… lighten up a bit?

Review by Ebe Cassidy

Tuesday, July 17, 2012

The Jungle Giants - She's a Riot


Filmed in one shot, in one room, in one day, the brand new clip from The Jungle Giants plays with the notion of space, position and continuity. Without the help of post production or editing, all the changes you see happened in real time. Members of Team Bobbysix are no strangers to making one-shot, one room, lots-of-people videos, so we were keen to share this fine piece of work with you.

In celebration of their band new single and EP, The Jungle Giants will be hitting the road with Sydney duo, Toucan throughout August.

Tickets are on sale now.
FRI 10 AUG - NORTHCOTE SOCIAL CLUB, MELBOURNE
SAT 11 AUG - JIVE, ADELAIDE
FRI 17 AUG - ELSEWHERE, GOLD COAST
SAT 18 AUG - THE ZOO, BRISBANE
WED 22 AUG - BEACH ROAD HOTEL, BONDI
THU 23 AUG - TRANSIT BAR, CANBERRA
FRI 24 AUG - CAMBRIDGE HOTEL SIDE BAR, NEWCASTLE
SAT 25 AUG - GOODGOD, SYDNEY

She's A Riot is released through Create/Control on Friday, July 27.

Monday, July 16, 2012

Getting to Know... Northeast Party House


We grabbed two minutes with Sean from Melbourne's Northeast Party House before their hometown single launch last Friday:

Northeast Party House are five mates, who used to be six mates but three of them left.

We are currently listening to our latest single Pascal Cavalier. We shot the video for it on the weekend so it's been on repeat in our brains.

Our single launch tour will be the most fun we've had since our last tour... "TOUR TOUR TOUR!"

Melbourne is about to be drowned in the sweat of our Corner Hotel crowd!

It might surprise people to learn... this

In the future Snail Zombies rule the world!

You can see Northeast Party House here this weekend:

Friday 20 July 
Goodgod Small Club, Sydney
Supported by Panama and Colour Coding
Tickets on sale now via Moshtix www.moshtix.com.au | 1300 GET TIX

Saturday 21 July
Alhambra Lounge, Brisbane
Supported by The Belligerents and Fairchild Republic
Tickets on sale now via Oztix - www.tickets.oztix.com.au | 1300 762 545

Friday, July 06, 2012

Love Migrate - Plagued Are All My Thoughts



Melbourne band Love Migrate have just dropped the video for the title track off their forthcoming debut record Plagued Are All My Thoughts. The video was shot over two days from sunrise to sunset in the beautiful Macedon ranges with filmmaker Dylan Wiehahn (Active Child, Seagull and Young Magic). It's a serene video that deals with themes of mortality, love and loss. 

Listen out for the band’s next track ‘Making This Hard’ which will be released on July 23rd. For more details head to http://www.facebook.com/LoveMigrate

Thursday, July 05, 2012

Elle Skies - City


You might remember Elle Skies as the singer/songwriter from Melbourne who released her debut EP, Skyscraper back in 2006. Although it was a small, DIY, independent release, it provided Elle a strong foundation within the musical landscape, winning the then 19-year-old many accolades, including first prize in a UK-based songwriting competition.

Well, Elle now returns armed with the jaunty and rather lovely single City and a new EP to be released soon. Have a little look at the cute video clip, which was shot over a few hours on a warm Saturday afternoon in Melbourne; the part time-lapse/part stop-frame animation nicely depicting the spontaneity and youthful innocence of the song. 

You can keep up to date with all the good stuff that Elle has got going on by Liking her Facebook page.

Wednesday, July 04, 2012

Oh Mercy tell Bobbysix about their new album artwork!


Considering the acoustic loveliness they purvey, you might not have been expecting Oh Mercy's new album cover to look like the above picture. In a Bobbysix.com exclusive, the Melbourne band's frontman and songwriter Alexander Gow writes a few words about the choice of artwork:

"There's a great tradition in modern music that shines a proud spotlight on feminine beauty by the way of album art selection. It is a playful tradition. It is erotic. But beyond all it is one of worship. Bowing in delight and pleasure to the overwhelming power of woman. Placing that majesty on pedestal to awe and inspire man and woman alike."

"Martin Denny subscribed in the late 50's and 60's.
Roxy Music made an institution of it.
Prince gave nude man power a nod by appearing naked on Pegasus on the back cover of Prince 1979."

"Selecting art for an album cover is a unique opportunity and one that I am thankful to have.
It's a lot of fun."

If the album's sound is as daring and bold as its cover art, then we're in for a treat. It's set to drop in August. Keep up to date with Oh Mercy on Facebook. In the meantime, have a sneak listen to their upcoming single and check out their Australian tour dates below.

Tuesday, July 03, 2012

Missy Higgins at Her Majesty's Theatre, Melbourne


Jess O'Callaghan went to see the rebirth of Missy Higgins in Melbourne:

Going to any sort of comeback tour, no matter who the artist is, can be a little bit terrifying. As someone who gets attached to songs pretty fervently, even going to a tour where the artist has more than one lovable album can cause mild anxiety. Clearly some of your favourite songs aren’t going to make it onto the set list. And which ones will get cut? Terrifying.

Considering she has two very well known albums chock full of sing-along-able songs and a fanbase made ravenous by five years without a new release, Missy Higgins navigated the evening remarkably well.

On the 16th of June she performed at Her Majesty's Theatre in Melbourne, which was a far stretch from the first time I saw her perform with a piano and an acoustic guitar at the Tamworth Country Music Festival. For one, no one in the audience was wearing cowboy hats.

Another big difference was the band behind her - the cello/trumpet/everything player, the American drummer’s accent jokes, and Butterfly Boucher. Boucher blew everyone away as the opening Special Guest and then stayed on to play guitar and sing. She co-produced the recently released The Ol’ Razzle Dazzle album in Nashville with Brad Jones.

While the production of a Missy Higgins’ gig has become slicker and prettier, you still had the sense that you could have been sitting around with a group of friends, yelling ‘play one more!’ as the night grew older. While she didn’t try to hit every heckler's request (“Play Sound of White!” “That would be a downer right now”) she didn’t pointedly avoid them like some jerk artists with popular old songs do. Listening to Scar performed live is still immensely satisfying, and she knows it.

Then there are the songs on The Ol’ Razzle Dazzle which were just so much better live. The sounds and rhythms in Watering Hole went way over my head listening to the track, but hearing the commotion performed live made a lot more sense. Animal sounds and stomping and calling her brother, Dave, back on stage to make noises. Dave also made an appearance when the pair performed Cooling of the Embers, a beautiful song about their grandmother growing old.

The coverage of Higgins’ return to making music has focused on her ‘writer's block’. The struggle with the idea that she might never make music again. She spoke about it briefly and unavoidably before performing the beautiful Everyone’s Waiting on the piano.

I guess the sold-out shows and the excitement of the audience prove that everyone was waiting. At one point she even managed to convince us all to applaude with animal noises. Judging by the sound of Her Majesty’s Theatre filled with snorts, moos and neighs, they’re very glad she’s back.

Review by Jess O'Callaghan. Photo courtesy of the official Missy Higgins website.

Monday, July 02, 2012

Zulu Winter interview


Carol Bowditch talks to Will Daunt of Zulu Winter in the midst of their hectic touring schedule:

Zulu Winter are sardined in the back of a van, whizzing about the streets of London after playing a gig. They are in high spirits, as the show had gone well, and they are humbled that “people had actually come to see us.” How sweet. Vocalist Will takes a few moments out to have a chat to me about their upcoming shows:

So you’re heading to Australia for the Splendour in the Grass festival, have you been before? 
I have actually, when I was 18. I did the whole thing of travelling up the East Coast and yeah, got very drunk and didn’t really see anything of importance, ha.

Will you get any time off to have a look around this time? 
Well we are only there for like nine days. I think we are just literally playing gigs. We will probably just do what I did last time, which was see the inside of bars. Yeah, it’s going to be amazing, we cannot wait. It’s a very weird thing for us to come to Australia cause we're so far away and you know, like, it’s really, really exciting, we’re really stoked.

So you guys met when you were kids and then you went off to college. What brought you back together to make music? 
I think that we just really needed to do it because we kind of just messed around in bands. When we turned a certain age, we thought if we are going to make a record, then we should make a record, and that’s what we did... We really wanted to make an album, and we really wanted to do it properly.

I read somewhere that you were in a Sex Pistols tribute band? 
Hahaha, that was our guitarist and keyboardist. They called themselves “The Next Pistols”, which is, you know, a genius title.

Your debut album, Language, has just been released. What were your musical influences for the new record? 
We all love bands like Portishead, Caribou and other stuff, but actually, we’re all into quite different things. Our drummer is into electronic, dance. I’m more into like pop, more song-based stuff, it has to have some sort of sentiment.

What’s your favourite track off the new record? 
I kind of waiver between two, I’m a big fan of the last song (People That You Must Remember), just because we had that song for a long time and it started out as this big rock anthem and we didn’t really feel comfortable with how it was sounding, and I didn’t really have faith in it. Then our guitarist, took the song by the balls and had a vision for it, and it turned into this very relaxed, spooky song and I just really love it.

The other song, Worlds That I Wield, just appeared. We were playing one day and it just turned up, which is a lovely way to make a song.

I like the video for the new song We Should Be Swimming. Can you tell me a little about how you created it? 
It is inspired by a woman called Loie Fuller, she did this thing called the “Serpentine Dance”, we wanted to use that and make something quite different...  It was filmed in Scotland in mid Winter, which is unbelievably cold. The dancers actually had it much worse than us, wearing leotards in this, like, freezing bog, up to their ankles in freezing water, ha.

So what should we expect from your live show? 
People kind of expect that us to be like a “dance act”, it’s actually got a bit more subtlety to it than that. We’re quite moody and down, and I hope that it’s slightly unsettling, in a way as well.

Some of the songs are about some stuff that is not that pretty. So it’s quite nice to have a slightly darker show as well. We’re definitely not a metal band, ha, but there is darkness to it. Also, no encores, unless people actually want an encore cause there’s nothing worse than a rehearsed encore!

 Zulu Winter are playing heaps of shows across the UK, Europe and Australia over the next couple of months. Check their tour dates on Facebook. Especially exciting are their dates in Melbourne and Sydney (24th & 25th July), as they are playing on an epically awesome bill alongside Howler and Friends

Interview by Carol Bowditch

Tuesday, June 19, 2012

Opossom interview...


Kody Nielson, scuzz-pop tearaway of The Mint Chicks, has gone in a completely new direction under the name Opossom. He is set to take his new album, Electric Hawaii, on tour with Jinja Safari and White Arrows. Carol Bowditch found out more: 

What prompted your decision to start making music on your own?
I've always made music on my own, but I guess it's just the first opportunity I've had
to actually release something of my own.

Are you enjoying the freedom of having sole creative control?
Yeah, I am. I get to take more risks, and try things out.

Can you talk us a little though the creative processes that went into writing and
recording Electric Hawaii? Did you do things very differently this time round?
The main difference was just not having to run ideas by anyone else. It made
everything a bit more experimental and playful.

What are you most looking forward to about your upcoming Australian tour and what should we expect from your live show?
It's always cool playing to new audiences and you should expect a three-piece psych band, playing melodic music with dynamics.

Tell us a little about the name Opossom...
I work at night so I feel nocturnal sometimes. I find it interesting that in New Zealand
people kill possums. They're considered pests here, and sometimes that's how the
country makes me feel. I decided to spell it Opossom, because I wanted to use a
word that didn't exist.

How was your tour with Bic Runga, and who - in an ideal world - would you
like to do a tour with in the future?
The tour was nice. I'd love to play with the Flaming Lips or Danny Brown.

Tell us something we night be surprised to learn about you...
I'm Batman.

THE BLIND DATE TOUR: Jinja Safari, Opossom, White Arrows
Wed 8 Aug: Perth – Astor Theatre - www.bocsticketing.com.au 
Thurs 9 Aug: Adelaide – Uni Bar (Licensed All Ages) - www.moshtix.com.au
Fri 10 Aug: Melbourne – The Hi-Fi - www.hifi.com.au - www.moshtix.com.au
Sat 11 Aug: Melbourne – The Hi-Fi (Under 18s) www.hifi.com.au 
Wed 15 Aug: Canberra – ANU Bar - www.ticketek.com.au
Thu 16 Aug: Newcastle – Bar On the Hill - www.bigtix.com.au
Fri 17 Aug: Sydney – Metro (Licensed All Ages) - www.metrotheatre.com.au 
Sat 18 Aug: Brisbane – The Hi-Fi - www.hifi.com.au

Interview by Carol Bowditch

Friday, June 15, 2012

Cameras - June


It's simple really. We've been following Cameras since the very beginning and we love them. We have always loved them and, unless they, like, go all rubbish in the future, we always will love them. So it's our joy to bring you their latest clip. All blood, bunkers and awesomeness. Shit yeah.

Cameras' "June in July" tour:

Wednesday 20 June - Sofar Sounds/YouTube Secret Acoustic Show, Sydney
Friday 13 July - "Can’t Say” @ Platform One, Melbourne
Saturday 14 July - The Workers Club, Melbourne.
Sunday 15 July - Pure Pop Records, Melbourne
Wednesday 18 July - UNSW, Sydney
Thursday 19 July - Alhambra Lounge, Brisbane
Friday 20 July - Great Northern Hotel, Byron Bay
Saturday 21 July - FBi Social Club, Sydney

Friday, June 01, 2012

Ned Collette interview


Carol Bowditch talks to Melbourne-born, Berlin-based musician Ned Collette about his upcoming album and Australian tour: 

Your sound seems to take influence from different genres. Do you have an especially eclectic music taste? 
Sure, I guess. I mean I listen to all sorts of stuff from all over the shop really. Different times and places. And though it might seem eclectic it's somehow all tied together in my mind by some indefinable thread. Goodness, or honesty, or risk, or something that makes me feel like the artist/composer is really putting themselves on the line. I guess the one thing I'm not really good at is knowing about new music - stuff that is coming out now. It seems to take at least five years or so for something to filter through to me. I keep realising things I think are new are ten years old already.

In what ways do you think this album differs from the 2009 long-player that Ned Collette + Wirewalker released? Were these differences planned or did they occur organically?
It's a lot more sonically diverse, mostly because it began as stuff I was recording on my own and was then developed with Joe in any direction we felt like taking it, rather than from one session based around the band recording some songs on our usual instruments. So it's not as rock, it's not really as heavily guitar based, though the lyrics and themes have continued in a direction I can't seem to avoid. In that sense it was really organic but the album certainly wasn't planned as a Wirewalker album until quite far into the process.

You created the new album after expatriating to Berlin. Was it an easy relocation? There are some dark themes within the album that suggest that there might have been some difficulties.
It was remarkably easy really. Berlin is a a wonderful city that is very easy to become familiar with. Sure there were difficulties, but no more than usual in a comfortable, first world, white middle-class kinda scenario. I find personal difficulties always get projected on to the background of one's environment though, and I really like writing from that point of view, as if the city or the space around you is somehow an accomplice or at least a witness to your experiences.

You recently toured the UK and Europe. How was it? Any particular favourite gigs/cities?
We haven't toured here properly since 2010, but I've played a fair bit here and there solo since then. It's good. People listen like crazy in Europe - the rooms are silent. They like to let you know exactly what they think afterwards too, which is sometimes interesting, but often gets in the way of the first drink… I played one at the Swiss Cultural Institute in Rome last year which was very beautiful but not
a great crowd - a bunch of Swiss artists and scientists wanting to get off their faces and dance to a horrible Parisian cover band. Other than that, the closing party of a warehouse party institution with the Wirewalker in Freiburg, the regular gigs to a very faithful but also varied crowd I do in a small place here, playing with Kurt Vile last year…

Are you excited about your upcoming tour of Australia?
Yes, very excited. The band played one show of this material when I was back in Melbourne mixing it in October and it was by far the best gig we've ever done. Easily. Even though James and Ben weren't involved in making the record, they understood and fitted their respective things effortlessly into the songs. It was really very enjoyable.

After the tour, what do you have planned for the remainder of 2012?
Well, the album is coming out worldwide in August through Fire Records, so I'll be back here and hopefully busy with that, and with trying to find a way to get the whole band touring a bit more over here again. I'm also going to spend a couple of weeks on a Greek island with a bunch of friends at the end of summer, which has been taking up a fair portion of my consciousness ever since we made that
decision.

Tell us something that we might be surprised to learn about you...
I genuinely think George Michael's 'Faith' is one of the best albums ever made.

Ned Collette + Wirewalker Australian Tour 2012

June 14 - Brisbane, Blackbear Lodge
Tickets: www.mobileindustries.oztix.com.au

June 15 - Sydney, Fbi Social
Tickets: www.mobileindustries.oztix.com.au

June 16 - Adelaide, Metro
Tickets: www.mobileindustries.oztix.com.au

June 21 - Canberra, Front Gallery (Ned solo)
Tickets: www.mobileindustries.oztix.com.au

June 23 - Melbourne, Northcote Social Club
plus Inevitable OrbitTickets: www.northcotesocialclub.com

Interview by Carol Bowditch. Visit Ned's site here: www.nedcollette.com

Thursday, May 31, 2012

Chet Faker - Thinking In Textures


Victoria Gottschalk casts her ears upon Chet Faker's EP and feels a bit sexy:

Upon listening to Chet Faker’s Thinking In Textures, I felt a mixture of love, loss and sexual frustation. I realise that’s a strange combination but as a YouTube user put it, Chet Faker’s music is “baby making music”. Pure and simple, the fusion of electronica soul combined with personal tales of romance and tragedy just make you want to combat that bottle of tequila and do some seriously naughty things. But instead of regretting your actions in the morning, just press play on Thinking In Textures and you’ve instantly got a reasonable explanation for the person in your bed and the scratch-marks on their back.

READ MORE...

Wednesday, May 30, 2012

This Epic Tour - featuring Kingswood, Money For Rope and Damn Terran


Combining forces to create a three headed assault machine that would compel Godzilla to retreat to the depths of Tokyo Bay with his head hung in shame, Melbourne bands Kingswood, Money For Rope and Damn Terran emerge from the primordial ooze to take their rock largesse to the good people of Australia.

Yeah Go Die, Kingswood’s debut single of inimitable sludgy goodness is currently getting plenty of spins on national radio and with their recently unleashed EP Change Of Heart promising to continue the momentum, the band have an appetite whet for destruction. The same is true at camp Money For Rope, their latest single Ten Times has seared its mark on listeners around the country, laying a path for devastation when their self-titled full length emerges later this year. Completing the triumvirate, Rebels, the first single from Damn Terran’s upcoming album has further seen them etch their name on the hearts of fans around the country.

Already proven entities in their hometown, the Kingswood, Money For Rope and Damn Terran juggernaut will rain fire in these not-to-be-missed shows. Get in early to assure your seats ringside.

Dates:
28/06/2012 – Thursday, The Workers Club, Fitzroy, VIC
29/06/2012- Friday, The Workers Club, Fitzroy, VIC
30/06/2012 – Saturday, Jive Bar, Adelaide, SA
5/07/2012 – Thursday, The Great Northern Hotel, Newcastle, NSW
6/07/2012 – Friday, Lansdowne Hotel, Sydney, NSW
7/07/2012 – Saturday, Yours & Ours, Wollongong, NSW
12/07/2012 – Thursday, Oh Hello, Brisbane, QLD
13/07/2012 – Friday, The Beach Hotel, Byron Bay, NSW
14/07/2012 – Saturday, Hard Rock Cafe, Gold Coast, QLD

Tuesday, May 22, 2012

Reef cancel Australian tour



Due to a bereavement in the Reef family, it is with great regret that the UK band are cancelling their Australian tour which was set to start on June 1st. There are no plans to reschedule at this point so fans will be able to get a full refund at their point of purchase.

The band would like to extend their apologies to anyone who has purchased a ticket and to thank Select Touring for their understanding at this time.

To dilute your disappointment, you should get your hands on their complete recorded works in an all-encompassing box set. Spanning across their ten year career, the 9 CD and 1 DVD package features every commercial song recorded, including their very first demo, The Purple Tape – which lead to the band being signed to Sony - as well as b-sides, demos, live tracks, rarities and previously unreleased and unheard material. The DVD includes all music promo videos, TV appearances and interviews and some home movie footage capturing the story of this iconic ‘90’s band. Beautifully packaged the box set also contains a 64-page booklet featuring never-before-seen pictures of the band, a 12” vinyl of their newly arranged 5th album (Lucky #5), a vintage poster and a replica demo of their Purple Tape sessions.

Saturday, May 19, 2012

The Human Rights Arts and Film Festival Australia


The fifth Australian Human Rights Arts and Film Festival (HRAFF) opened in Melbourne this week. Vinisha Mulani tells us more: 

What started as a group of friends brainstorming in a share-house kitchen six years ago, is now a national film festival in its fifth year, based at the Australian Centre for the Moving Image, has Margaret Pomeranz as a festival patron, includes a music festival, art exhibition, forums and the President of the Maldives doing a live Q&A.

But that's not the sole summary of its success - despite its escalation from the kitchen table to ACMI, the success and soul of the Human Rights Arts and Film Festival lies in its content and intent. As inspiring as the festival's establishment and growth, are its films.

From Wrinkles, a Spanish comical animation about Alzheimer's, to Buffalo Girls, about girls in a Muay Thai child boxing tournament, the films range in topics but are all consistent in how you feel when you leave the cinema. HRAFF films can catapult even the most cynical suit-clad individual into a state of inspiration to change the world for the better. (Just a heads up, Australian Volunteers International and Intrepid Travel - there may be an unexplained exponential increase of people lining up in front of your offices over the next month). The Island President is also a program highlight; an inspiring documentary about the president of the Maldives' and how he tackles his small nation's slow extinction in the face of climate change.

Whatever incredible film you choose to watch at HRAFF, you will have something to gain - whether it be inspiration to do something great, raising your awareness in something you had no idea about, or a window into the life of an individual on the other side of the world.

HRAFF's dates around Australia:
Melbourne 15 – 27 May
Canberra 28 – 30 May
Adelaide 29 May – 1 June
Sydney 29 May – 1 June
Brisbane 5 – 8 June
Alice Springs 8 – 10 June
Byron Bay 12 – 15 June
Perth 14 – 16 June

For more detail on the program in general and to purchase tickets: http://hraff.org.au/
Words by Vinisha Mulani

Tuesday, May 15, 2012

Sui Zhen - Two Seas


We’ve been besotted by Sui Zhen at Bobbysix for a while now, with her tinkling voice and her twisty, lovely lyrics. Jess O'Callaghan gives her debut LP a listen:

Upon listening to Sui Zhen's debut album, Two Seas, I felt as though I were falling in love and having my heart gently broken, over and over. Some songs are like secrets, whispered between sleepy heads on a pillow, and others are full of joy, suitable for singing loudly on bicycles.

Wandering Me, Cupboards and Sand and Little Frog fall into the latter category, with strange, pretty percussion and sweet harmonies sprinkled through the music. Then there are tunes like opening track My New Friend, Happy to See You and Tuesday Sometimes which are just so honest that it seems necessary to play them on repeat, savouring lines like "When I am with you/We are happy sometimes."

While the music feels spectacularly new - which I’m going to attribute to things like "and an accordion somewhere," snuck into the explanation of who plays what instrument - there is something wonderful about the everyday-ness of the lyrics.

When I heard "I can cook three meals/With not even a fight," and, in Blue Night, "I could watch three seasons with you/I could touch your skin under the blanket," it was like she was singing my own absent-minded thoughts and still surprising me by how important she made them sound. Track eight, Golden Cage is more of a story. The xylophone and harmonising reminding me of Lisa Mitchell’s album Wonder. The lyrics are both online and beautifully folded into a booklet for the hardcopy, which is nice for those of us who fall hard and fast for a song.

A beautiful album for those who like lyrics, awkward situations, a lilting voice and layering of sounds.

Review by Jess O'Callaghan. You can listen to and buy the album here: http://suizhen.bandcamp.com/

Wednesday, May 02, 2012

Missy Higgins returns with single, album and Australian tour


We know what you're thinking. You're thinking, what the hell happened to Aussie songstress Missy Higgins? Well, Missy privately decided to quit music, despite selling over a million copies of her first two albums, gaining multiple ARIA Awards and gold certification in the U.S. for her song Where I Stood. However, after a five year absence, she finally returns with a brand new single Unashamed Desire and the announcement of ‘The Ol’ Razzle Dazzle Tour’ for June and July. This will be Missy’s first national tour in since 2007. 

The story of the journey that brought her back to music - including her battle with writer's block - forms the backbone of her new album The Ol’ Razzle Dazzle which will land in June.

Unashamed Desire was directed by the award winning Natasha Pincus. You'll know Pincus as the director of the clip for Gotye's Somebody That I Used To Know, and the connections continue as Missy recently joined Gotye on stage in San Francisco to perform Kimbra’s vocal part on that song. The pair also teamed up again for a sold out show in Los Angeles the following night.

We checked out Missy's exclusive performance in Bondi last week, where she debuted songs from her forthcoming record. You can finally do the same at the following venues. Tickets went on general sale this morning, so get busy:

Fri June 1:  Adelaide, Her Majesty's Theatre www.bass.net.au / 131 246
Sat June 2:  Perth, Astor Theatre www.bocsticketing.com.au / 08 9484 1133 / 1800 193 300
Wed June 6:  Brisbane, The Tivoli www.ticketek.com.au / 132 849
Fri June 8:  Sydney, York Theatre, Seymour Centre http://sydney.edu.au/seymour / 02 9351 7940
Mon June 11: Wollongong, Illawarra Performing Arts Centre: www.merrigong.com.au / 02 4224 5999
Wed June 13:  Newcastle,  Newcastle  City Hall www.ticketek.com.au / 132 849
Thu June 14:  Canberra, Canberra Theatre www.canberratheatrecentre.com.au  / 02 6275 2700
Fri June 15:  Geelong, Geelong Performing Arts Centre www.gpac.org.au / 03 5225 1200
Sat June 16:  Melbourne, Her Majesty's Theatre www.ticketek.com.au / 132 849
Fri July 27:  Mackay, Mackay Entertainment Centre www.mackaytix.com.au / 07 4961 9777
Sat July 28:  Rockhampton, The Pilbeam Theatre www.pilbeamtheatre.com.au / 07 4927 4111
Sun July 29:  Splendour In The Grass, Bryon Bay moshtix.com.au / 1300 GET TIX (438 849) from 9am AEST Friday 27 April

Wednesday, April 25, 2012

Chateau Rdio hits Melbourne and Brisbane


Rdio is a pretty frickin awesome music streaming service that has been blowing Australia’s mind for a few months now. But while they’ve officially launched in Sydney – packing out the Beach Road Hotel with bands including Das Racist, Twin Shadow, Austra, Canyons, Collarbones and Jonti – Rdio and Vice are yet to treat Melbourne and Brisbane to the experience.

This May, that’s set to change. Taking over Fitzroy’s Workers Club and The Valley’s Coniston Lane, they are cramming their stages with GOLD FIELDS, CUT OFF YOUR HANDS, BLEEDING KNEES CLUB, DIE! DIE! DIE!, LOVE CONNECTION, FORCES, VELOCIRAPTOR and CANNON. They will also be helping themselves to the venues' kitchens, bars, studios and pretty much any space that you can swing a cat in, with amazing guest DJs playing all your favourite music.

A limited amount of doubles passes are on offer for each show - so RSVP at facebook.com/rdio for your chance at entry. You should also grab the shit out of the free seven-day Rdio trial, to get stuck in to the 13 million songs on offer, and follow Vice Au for your chance to win a Sonos, an iPad, and a one year subscription to Rdio.

Here are the deets of the parties: 
Thursday May 3 @ Workers Club Fitzroy, Melbourne 
Featuring: Goldfields, Cut Off Your Hands,  Die! Die! Die! Love Connection,  FORCES and DJs


Friday May 4 @ Coniston Lane Fortitude Valley, Brisbane 
Featuring: Goldfield, Bleeding Knees Club,  Velociraptor,  Cannon and DJs

Thursday, April 12, 2012

Prince to tour Australia in May


If you've been on Facebook/Twitter over the last couple of days, you'll have seen A LOT of rumours that everyone's favourite sex midget is set to head to Australia. Well, today those murmurings have been confirmed. Prince will play three massive shows in May.

As card holding members of the Prince fan club - well, we own his albums, have epically awesome Prince  T-shirts from when he used to be called Symbol, drop Gett Off every time we DJ and have watched Purple Rain a zillion times (that sex scene - euggghhhh) - we are goddamn excited by this news.

What we are not excited about is how many people - whom we have never heard mention Prince once in their lives, by the way - we are going to have to listen to for the next month banging on about how much they have always lurrrrrved him. Yawn. Also, if one more person tells us that they were at The Basement or wherever the hell it was when he played a tiny secret show last time he was in Aus, we will cry. By all accounts, it seems that the whole of Sydney was there. Strange that they all fitted into such a small venue.

Anyway, if you want to join us in the shit-fight for tickets, they go on sale on Monday, April 16 from Ticketek.

Prince performs the following shows:
May 11 - Allphones Arena, Sydney
May 14 - Rod Laver Arena, Melbourne
May 18 - Entertainment Centre, Brisbane

Maybe now is finally time for us to have that massive Prince dress-up party we have been threatening for ages. Ps, if you're thinking about coming as high-waisted-pant-high-heel-wearing-topless-and-oiled-up-Prince-from-the-90s, don't bother as there are already fights going on in the Bobbysix office about who gets the honour of that particular look. 

Tuesday, April 03, 2012

Georgia Fair to tour with Lisa Mitchell


Simple Man is taken from Georgia Fair’s critically acclaimed debut album All Through Winter and was recorded in the snow-covered mountains of Asheville, North Carolina. The video was directed by Shane McLafferty (Stevie Nicks, Mick Jagger) and filmed in Los Angeles including the same location as the film Drive. Check it out above.

Since the release of their album, Georgia Fair have been busy touring across Australia; most recently with The Panics and Busby Marou, and are now announced as special guests on the Lisa Mitchell ‘Heavenly Sounds’ tour. Following in the footsteps of Seeker Lover Keeper, Lisa Mitchell has announced the Heavenly Sounds tour to launch her new single Spiritus, she will be joined on stage by her band, choir and as she states, “The darling men of Georgia Fair will be kicking off the evening with their floating harmonies! What an incredible tour we have to look forward to."

Tickets for the Heavenly Sounds tour are on sale now. Here are the dates:
Monday June 4th - Christ Church Cathedral, Newcastle, NSW
Thursday June 7th - St Stephen's Uniting Church, Sydney, NSW
Friday June 8th - St John's Cathedral, Brisbane, QLD
Wednesday June 13th - St Michael's Church, Melbourne, VIC
Thursday June 14th - Flinders Street Baptist Church, Adelaide, SA
Friday June 15th - St Joseph’s Church, Subiaco Perth WA