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Showing posts with label Eastbourne. Show all posts
Showing posts with label Eastbourne. Show all posts

Tuesday, April 24, 2012

Slugga Tee - Passages From The Puddle


From the Millennium Jazz stable comes Slugga Tee and his solo EP, Passages From The Puddle, Bobbysix's 25ThC gives his verdict:

Slugga Tee built up his name with an abundance of features throughout the years and was the frontman for 12” Matter, who you may remember achieved Hip Hop Single of the Week and 5 out of 5 Stars from DJ Magazine for their seminal track Sunshine Coast. Slugga now rolls with the Millenium Jazz Team and presents his first EP featuring six tracks as a free digital download (available from Millenium Jazz Music). 

Opener Same Old Struggle, featuring MC’s Gadget and ReggiiMental, charts the reality of everyday life in Britain today. It describes the lives of the single mum with a fake tan who “drinks through the pain till she blacks out” through to the kids who “roll with a trigger in tow”. On The Reunion, Slugga recounts attending a school reunion. The track is filled with funny lines but also tinged with sadness at how all of his peers have grown up and changed in ways that he would not have believed possible.


Elsewhere, Love and Hate is the very personal and heartfelt account of a loving relationship. At the start the union is so deep and tight and continues throughout the tragedy of a custody battle for his two young daughters. Then the mind games start and trust slips away until the relationship has to be ended. The chorus says it all, “I love to hate you and I hate to love you/but this is my thank you and this is my fuck you,” and the track is indicative of the EP's high standard, both lyrically and musically.

The EP is FREE and very good, so download it now!

Review by 25ThC

Wednesday, April 18, 2012

Emperor the Stag - Swan


Despite sharing a name with the 9ft tall beast of Exmoor whose sizeable nut ended up as a trophy on the wall of a Devon hotel, Eastbourne four-piece Emperor the Stag are alive and well and earning their reputation as one to watch in 2012.

Released on Stop Thinking Records, new single Swan is a guitar-led belter - reminiscent of the likes of Elbow or Doves - with frontman Nick Webb displaying a knack for delivering lines that stick: “I broke my neck for you swan, I tried to let the distance make our hearts grow fond.” 

The result is a confident follow up to last year’s Deceitful Doe EP which sees Emperor the Stag progress their sound, without sacrificing their own style.

It’s a band worth checking out, so drag yourself to itunes and pick up a digital copy.

Words by Andy James.

Wednesday, October 19, 2011

Nick Webb - Space to the Past EP


Andy James give a listen to the debut EP from fellow Eastbourner, Nick Webb:

Singer-songwriters with tales of woe are hardly in short supply these days, but South Coast-based musician Nick Webb has more than enough raw talent to stand out from the six string wielding masses. The ex-Capital frontman’s debut solo effort, Space to the Past, marks a departure from the sound of his former band who delivered the big melodies and choruses with commensurate success, but never strayed a million miles from the well-trodden path of bands like U2.

Released on the artist’s own Stop Thinking Records label, this debut EP offers a wholly more interesting sound - thanks in part to some accomplished production from ex-Capital drummer Daniel Thorpe who weaves greater layers of complexity into the five tracks. Recorded over what Webb describes as a turbulent two-year period, the collection works well as a whole - opening with the dreamlike Starlings in Flight and “a month seeing the dead” and ending with the quiet belief and gentle farewell of A Night in New York Gone. In between, he explores themes of love and loss, with standout track Curtailed Dream.

In common with songwriters like Guy Garvey, Webb’s lyrics have a strong visual element which connect with the listener - and his distinctive voice is assured and earthy and well-suited to project songs which express both weariness and optimism. It all points to a very bright future.

Review by Andy James
Follow Nick Webb on Facebook

Saturday, September 10, 2011

David Ford's UK tour starts this week


The other day, we were going through some of our old notebooks. We found scribbled shorthand from when we interviewed Kings Of Leon, love hearts drawn in the margin from when we chatted to Regina Spektor and a near blank page from the time we spoke to the miserable, monosyllabic bassist from The View (the worse-than-average Scottish indie band as opposed to that TV show). We also found this rather crude storyboard (above), which was created while we were trying to help David Ford come up with ideas for a video for his song, Decimate. Surprisingly, considering it resembles the daubings of a monkey, the video turned out strangely similar to these drawings. You can see it here, and yes, you may recognise the fellow atop the pile.

Yeah, at Bobbysix.com, we like to help our mates make music videos. Our personal favourite is the below David Ford clip, which we helped produce. Considering it was filmed Ed Wood-style, on a freezing cold winter's evening in England, with no permission to film in the car park we chose, on a budget of zero, we're pretty proud of it. If you enjoy seeing a man being walloped round the face dozens of times, you're in for a treat. If you like what you hear from Mr Ford, then below the vid are his upcoming UK tour dates. He is one of the best live performers in the business, so you would be doing yourself a favour by getting along to one of his shows.


13 Sep Newcastle Upon Tyne, The Cluny
14 Sep Wolverhampton, The Slade Rooms/ little civic
15 Sep Oxford, O2 Academy 2
16 Sep Buxton, The Pavilion Arts Centre
17 Sep Glasgow, O2 ABC
18 Sep Aberdeen, The Lemon Tree
20 Sep Stockton, Georgian Theatre
21 Sep London, Islington Academy


Monday, August 01, 2011

Exclusive Diane Spencer interview


Flame-haired, award-winning comedian, Diane Spencer, shares a few words with Bobbysix.com ahead of her Edinburgh Fringe show, All Pervading Madness: 

What can people who come to your Edinburgh show expect?
They can expect, in a physical sense, a woman standing in front of them telling stories, and whatever pictures appear in their minds, will provoke laughter. I really enjoy telling stories, and quite often they are personal in nature. I don't deal in politics, yet... I more deal in the everyday, the emotional, the interpersonal relationships we all have whether with someone we love, or someone we meet on a train. My show is about a journey home, and there are some tangents on the way.

How did you first get into stand-up? Was it something you always wanted to do?
I just wanted to find out if I was funny. And no it certainly wasn't, but once I did it the first time, I simply had to do it again, and again and here I am. Stand-up is something so different and instantaneous. When you listen to how a comedian - a really amazing comedian - talks, it's incredible. They take your mind into new places.

After Edinburgh, what else have you got planned for 2011?
Whatever writing projects emerge from the Edinburgh Fringe really. I'm going to a comedy festival in Denmark, a place called Arhaus, which I've never been to before.

Longer term, what artistic aspirations do you have?
I love science fiction, I'm currently working to write a sci-fi sitcom... watch this space for beehives and lasers.

What music will you be listening to on the journey to and from Edinburgh?
John Williams - 40 years.
It's outstanding, it includes Indiana Jones, Superman and Jurassic Park.

Find out more about Diane - including tour dates - at her website.
Interview by Bobby Townsend. 
Follow Bobbysix on Facebook.

Saturday, June 25, 2011

Josie Long and Jo Neary preview their Edinburgh shows at That Comedy Thing


As venues go, The Lamb Inn in Eastbourne on south coast of England is perhaps the perfect place for a comedian to try out new material. The crowd - made up of curious locals and people simply excited that something interesting is happening in their sleepy town - are warm to the acts that stand before them and wouldn't even dream of attempting a impatient sigh, let alone a heckle. So this is perhaps why so many quality comedians are taking the opportunity to run-through their upcoming Edinburgh performances in the old ale-house. Recently, Isy Suttie brought her embryonic show to town and this week Josie Long and That Comedy Thing compere and organiser, Jo Neary, stood in front of a healthy turnout and set about workshopping what they had come up with thus far.

Opening the night, Neary performed her one-woman show about a bunch of schoolkids in the west country who were building up towards a local talent contest. Set in the 1980's and alluding towards some level of autobiography, Neary's story contained countless references to life in those days, all of which certainly resonated with audience members of a certain age. Mentions of Touché Turtle and Five Star were cleverly weaved into a narrative which wonderfully demonstrated the humiliation of being a teenage girl. In amongst some fine wordplay (the "virile shadow of a future moustache," on Gavin Pascoe's upper lip, for example), Neary also demonstrated some fun dance moves to Jack Your Body and Star Trekkin and painted a lovely, funny picture of the embarrassment and awkwardness that teenage love and lust can bring. To be honest, so sweet and disarming is Jo Neary's stage presence that I could happily watch her read the phone book for 45 minutes, so the fact that she has crafted something which struck such a chord was doubly pleasing.

Josie Long (pictured, top) is similarly affable to Neary and, armed with a fistful of scribbled notes, she launched into an impassioned and funny political diatribe. Venturing down a kinda Mark Thomas route, she spoke with intensity, knowledge and intelligence about subjects such as tuition fees, the protest in Fortnum and Mason, David Cameron and the like. While her anti-Tory stance may have fallen on a few deaf ears (Eastbourne has more than its share of right-leaners), generally her opinions were met with concurrence. After all, when someone is arguing for the importance of manners, free art and decent education for everyone, it would take a fucking idiot not to agree.

While Neary's show seemed pretty close to completion, Long's clearly was very much in the early stages of being written, but it was still a pleasure, in an increasingly apathetic world, to hear someone talk about political wrongdoings with such passion. That said, the moments when she veered into less heavy territory were always welcome, and her tangential ramblings about The Beatles and the Bronte sisters brought some of the biggest laughs of the night.

A couple of very different shows then, by two equally lovely performers. We've said it before and we'll say it again: That Comedy Thing at The Lamb Inn is a brilliant night out featuring acts of amazing quality. And the fact that you can buy a ticket and get change from a tenner is quite remarkable. If you live in the area and haven't been along yet, then, frankly, you're a ruddy fool. Why not head along to this Tuesday's show (28th June), featuring Steve Pretty and sketch group Jigsaw - comprised of Dan Antopolski, Tom Craine and Nat Luurtsema? Book your ticket now at oxboffice.com or email thatcomedything@gmail.com to secure your seat.

Review by Rob Townsend
For more reviews, follow Bobbysix.com at Facebook.

Wednesday, June 08, 2011

Jim Bob and Isy Suttie at The Lamb Inn, Eastbourne


Eastbourne, in the South of England, is not known for much other than being the place where blue-rinsed octogenarians tan their leathered skin on pebbled beaches. It has never been 'on the circuit', as it were, so Jo Neary, the organiser and compere of the relatively new That Comedy Thing, deserves the mother of all pats on the back for the volume of talented, well-known individuals that her night draws to the the town. With the likes of Robin Ince and Josie Long already having graced the stage of the ancient Lamb Inn, yesterday saw arguably the best line-up yet, with Jim Bob and Isy Suttie doing their thing.

The first time that this particular reviewer saw Jim Bob (above) was in 1993 when he was playing at the Brixton Academy, as one half of indie-pop-punk-electro duo Carter The Unstoppable Sex Machine. Nowadays, Jim Bob is a solo-artist and author and seems as happy playing intimate, sit-down gigs such as this as he is belting out the hits to the masses (he'll be back at the Brixton Academy in November, Carter fans).

It must be a tough gig, being the musical entertainment on a comedy night. The audience, primarily, are there to laugh, so it is just as well that Jim's wordplay was witty as hell and he offered a wry turn of phrase as he performed a half-hour acoustic set. After the opening cover of Mr Blue Sky, we were treated to a ditty about the Tesco riots - which he would go on to deconstruct in a Stewart Lee-esque manner, explaining the song's three jokes and why they were funny. Other highlights were a song about a swearing food technology teacher and a cynical take on The Wheels On The Bus. He also occasionally dipped into his "emergency set-list", much to the joy of the Carter fans in the room. Glam Rock Cops and The Only Living Boy In New Cross, rather than sounding as though they were being played out of obligation, were delivered - to steal a line from one of those songs - with utter comfort and joy. It was as though Jim was introducing two of his oldest and dearest mates to a largely uninitiated audience. The fact that, a couple of decades after they were written, they still had resonance and sounded exciting, bodes well for the Carter reunion gigs later in the year. Also, the inclusion of some new material left fans excited about the possibility of a new release somewhere in the not-too-distant future.


After an interval in which Jim chatted with fans at the bar, it was time for the headliner. Isy Suttie (above) used her 45-minutes in Eastbourne as a warm-up and sounding board before she takes her show to the Edinburgh Festival. Combining stand-up and song, Isy's performance was themed around a strange love story between two characters called Pearl and Dave (which Isy alluded to when she chatted to Bobbysix.com recently).

Being a work in progress, there were plenty of rough edges to Suttie's set. Indeed, much of it existed in the form of scribbled notes, yet there was something rather appealing about seeing her vision in the process of coming together. It was almost as though, through the feedback that bounced off the audience, the show was being formed before our eyes - as though we were part of something tangible, something fluid. Despite its embryonic nature, the set was still great. The best thing about Isy Suttie is that she doesn't rattle off jokes, but rather weaves genuinely funny truths into her songs and stand-up. Like Jim Bob before her, she is quite the wordsmith, and, as she dealt with the differences between dating pre and post internet, her observations were perfectly judged.

Perhaps the biggest compliment to pay Isy Suttie would be to say that her songs are as emotive as they are funny. She isn't just a stand-up who can sing a bit, but rather a genuinely talented songwriter, and, in fact, her best song of the evening worked because of its sentiment rather than because of the gags within. "Make sure you're sure the one you love is the last one that you'll ever love before you listen to Tom Waits with them," she sang in resignation, while everybody in the room who ever had a song or artist tainted by the memory of a former lover nodded in agreement. In a night of chuckles and guffaws, it was a wonderful moment of genuine depth and touching sincerity. And, besides, anyone who references Tom Waits in a song is okay by us.

At the end of her turn, Suttie offered her gratitude to the audience for their patience during what was a useful run-through for her. Her humility was hardly necessary. Sure, the show may have been a work in progress, but it was still nuanced, honest and funny with a solid and interesting narrative. Anyone who sees this show once she has crossed the t's and dotted the i's is surely in for a treat. As for the future beyond Edinburgh, we would simply love to hear Isy Suttie pen an album. After all, she proved tonight beyond any doubt that she has the musical ability and lyrical nouse to produce something really rather special.

Words and pictures by Rob Townsend

If you want more of this kind of awesomeness heading to the South Coast of England, then you need to support nights like this. Next up is the return of Josie Long on the 21st June. Book at Oxboffice.com or find out more by dropping an email to thatcomedything@gmail.com. Also, Follow Bobbysix at Facebook for news of an exclusive video interview with Jim Bob and footage from this gig, coming soon.

Monday, May 16, 2011

David Ford - I'm Alright Now


Recently, English singer/songwriter David Ford travelled around the UK to promote his book I Choose This - How To Nearly Make it in the Music Industry and BobbySix.com tagged along for the ride. Here is a clip taken from side-of-stage at London's Borderline. He is currently in the midst of a US tour. Check his dates here.

Tuesday, April 05, 2011

Kerry Gilbert brings sex and culture to That Comedy Thing. Oh, and wigs.

 
This Tuesday, Eastbourne's Lamb Inn on the South Coast of England once again plays host to the brilliant That Comedy Thing. This month's line-up sees Terry Saunders, James Sherwood, Thomas Hardie and Clint Westwood perform alongside Kerry Gilbert. On the eve of her debut visit to Eastbourne, Kerry tells BobbySix.com a bit about herself.

What can people expect from you at That Comedy Thing?
I’ll be presenting a small array of silly characters and strange behaviour, including a sexy bit, some culture and most probably some sort of wig.

Are you looking forward to your first trip to Eastbourne?
I’m quivering with anticipation. I’ve heard they have great fish n chips…

How did you get into comedy? Is it something that you always wanted to do?
I always liked playing the funny parts in school plays, despite being very shy and quiet in general. Being funny enabled me to come out of my shell a bit. Then at University I studied Performance Art as part of my English and Drama degree. It was the only practical bit of the course where we got to script and perform our own solo performance pieces. Most of the pieces I came up with were pretty twisted and self-indulgent performances about domestic abuse and sexuality, but the one I enjoyed the most was dressing up as a Bond Girl and belching my way through a rendition of Nobody Does It Better. I’m not proud of it, but I think that was probably the beginning.

After University, my friend Kelly and I decided to take a comedy show up to the Edinburgh Festival, as we’d been offered a free venue by someone she knew. We were on at midnight in an old church hall and had an average audience of about three people, but had loads of fun and even got a decent review so decided we’d keep at it. We called ourselves ‘Kerry and Kelly’, which I think probably indicated the level of effort we put into the whole affair, and spent most of the time eating humus and gossiping. But we did manage to put on a few more shows which were quite well-received. After a while, Kelly decided to pursue a proper career and is now a successful TV producer, whilst I decided to carry on, finally taking my own solo character comedy show up to last year’s Edinburgh Festival.

After Eastbourne, what else have you got planned for 2011?
I’m working on a new live comedy show which I’ll be taking up to next year’s Edinburgh Festival, so am doing gigs to try bits and pieces out in London. I also have a few writing projects on the go, including a sitcom set around an old-fashioned sweet shop in a small seaside town.

Longer term, what artistic aspirations do you have?
My dream is to write and perform in my own television sitcom/sketch show. I’d also love to be in a Mike Leigh film and a period drama one day. Preferably as one of those neurotic women they usually have in them, like Imelda Staunton’s character in Cranford or Julie Walters in Pride and Prejudice.

Check Kerry out at That Comedy Thing at Eastbourne's Lamb Inn this Tuesday night (April 5th). It all kicks off at about 7pm and entry is a bargain £8.50 (£7.50 concessions). You can pay on the door or get tickets in advance at oxboffice.com.

Interview by Rob Townsend.

Tuesday, March 08, 2011

That Comedy Thing at The Lamb, Eastbourne


Last week, That Comedy Thing took place once again at The Lamb Inn in Eastbourne, on the South Coast of England, and, as always, the wealth of talent on show in the cosy 12th Century boozer was impressive. Robin Ince headlined the night, with less a routine, more a 40-minute rant from a man aghast, confused and angry at a world he increasingly fails to understand as he edges further into his forties. Red-faced, he breathlessly jumped from topic to topic in a performance that was filled with truths. Funny truths too.

Before him was the Canadian Mae Martin (pictured, below), who was natural and effortless as she chatted affably between playing some well-known covers on her acoustic guitar, replacing the lyrics with her own tales about - for instance - her unhealthy obsession with Don Cheadle. Her turn was especially pleasing in that she didn't reel off jokes, but just chatted away conversationally, as if she were just talking one-to-one with each member of the audience. Indeed, she was so engaging that I could have happily listened to her talk for 30 minutes without any musical interludes at all.


Before these two performances came the absolute triumph of the evening. Rachel Pantechnicon cleverly used repetition and a strange, awkward stage-presence to create a well-crafted character. Poems about elves on shelves and tiled bathrooms were rattled off at the kind of frenetic pace that demanded the audience kept up. Visual aids were frequently used, like the previously missing end section of the Bayeux Tapestry, which told of a plague of cats - one of which ended on William the Conqueror's head instead of a crown. Obviously it doesn't sound funny when I say it, but when spewing out of Pantechnicon's mad brain, such weird tales were side-burstingly hilarious.

The whole night was compered by organiser Joanna Neary (pictured at the top of the feature), who set the evening's warm tone with some chucklesome observations, some killer dance moves and a wicked impression of Bjork.

Neary deserves massive credit for putting on such a charming night and managing to attract such fine acts to a south coast town that isn't exactly on the circuit, so, if you live in the area and want to see more of these kind of events cropping up, then you need to put your full support behind That Comedy Thing. The event takes place on the first Tuesday of every month, so email thatcomedything@gmail.com to get yourself put on the mailing list.

Review by Rob Townsend.

Saturday, February 26, 2011

Robin Ince graces That Comedy Thing


Once again, That Comedy Thing is set to hit The Lamb Inn on the South East Coast of England, and it offers a typically cracking line-up this month, with Robin Ince headlining a bill that also includes Mae Martin, Rachel Pantechnicon and Suzi Payton.

You can reserve tickets for the event, which takes place in the lovely Eastbourne pub between 7.30pm and 10pm this Tuesday 1st March, via thatcomedything@gmail.com. It'll set you back a pathetic £8.50 or just £7.50 with an NUS. You won't find a better bargain than that so get yourself to The Lamb and be sure to bring a spare pair of underpants, as you are more than likely going to wee yourself laughing. And who likes to sit in their own wee? Weirdos and pervs. That's who.

Find out more about That Comedy Thing here.

Words by Rob Townsend.

Friday, February 11, 2011

Billy & The Fingers - Goodbye Chesterfield Road


You may remember, a while back, we interviewed Eastbourne-based geniuses Billy & The Fingers. We're big fans of them here at BobbySix.com, so it is with excitement that we are able to share with you their latest long-player.

Whatever you were planning on doing for the next 23 minutes and 52 seconds, don't. Instead give your ears a treat by washing them in the charming sounds of Goodbye Chesterfield Road.

 

Monday, January 17, 2011

Funky Junk!


Last Saturday, Funky Junk returned to Eastbourne in the South East of England to take up monthly residence at The Dew Drop Inn. The night is the brainchild of the awesome 25THC (above) and offers something for everyone, with DJs mixing a diverse collection of music including ska, dub, funk, reggae, hip hop and afrobeat.


Last weekend, Bobby Six (above) was honoured to be the special guest, and set about providing an hour of rock 'n' roll before 25THC ramped it up with a mash-up that featured some sick hip-hop and dubstep while segueing some old school Prodigy, some Hendrix and even the Murder She Wrote theme tune. True story. 

For details of upcoming Funky Junks, keep an eye on 25THC's blog.

Thursday, January 13, 2011

Bobby Six's English DJing debut - this Saturday!

Having spun tunes in many of Sydney's coolest venues, Bobby Six will be making an excited English debut behind the wheels of steel this weekend, playing some old school rock 'n' roll at Eastbourne's Dew Drop on Saturday. Providing some ska, dub, funk, reggae, hip hop, afrobeat and dubstep are Rocspin and the legend that is 25THC.

Come along for a drink and a dance. Full details at the facebook event page.

Monday, January 10, 2011

That Comedy Thing

 

Sleepy old Eastbourne, in the south of England, is probably best known for the plethora of blue-rinsed pensioners that meander along its quaint seafront in the summer months. What it is not known for is its diversity when it comes to things to do of an evening. And as for luring out-of-town entertainment, well, let's just say that Eastbourne is hardly on the the circuit. However, on the first Tuesday of every month, something is happening to steadily change all that.

That Comedy Thing is bringing a smile to the face of those who want a quality night out that combines outstanding stand-up talent with some musical magic. December's event saw Josie Long do her thang, while the legendary Darren Hayman provided the sweet tunes. In future months, you'll be able to see the likes of Robin Ince, Stewart Lee and the incredible musical talents of BobbySix.com's hero, Jim Bob.

The next That Comedy Thing is on the 1st of February, is compered by the wonderful Jo Neary (pictured, above) and features the immense talent of Isy Suttie (Dobby from Peep Show), Tony Law, George Egg and Dyball and Kerr.

If that weren't enough to make you want to venture into the cold winter night, then That Comedy Thing's venue is one of the most intimate and welcoming pubs ever. The Lamb Inn was built in the 12th Century and is a lovely little ale house in the quiet Old Town part of Eastbourne.

Still need encouragement to miss Holby and go out on a Tuesday night, you lazy arse? Okay, well how about the fact that tickets are a ridiculously cheap $7.50. Amazing, right? You can secure yours by calling 01323 749643 or emailing joannaneary@hotmail.com.

Words by Rob Townsend

Thursday, December 02, 2010

How you can still see David Ford's sold out Milk & Cookies gig



For the last few years, Eastbourne's own David Ford has been taking time out from his busy touring/writing/recording schedule to play charity gigs - entitled Milk and Cookies - each Christmas. These events mix Ford's own material with covers that you wouldn't usually see at his shows (East 17's Stay, anyone?) and feature guest appearances from everyone from Fran Healy to Ford's own Sunday league footy team. Most importantly of all, they raise thousands of pounds of cash for good causes.

This year, Milk and Cookies turns ten and the event in Eastbourne on December 18th is already sold out. Dry your eyes though because the good news is that the whole three-hour extravaganza will be streamed live on the good old internet. So, you can be a part of the fun from your living room, while donating to a good cause. See more details in the cheeky little video above, then buy your ticket and find out more here.

Friday, August 27, 2010

David Ford - Making Up For Lost Time


Long-time friend of Bobby Six, David Ford, has always been good at coming up with ingenious videos. Whether he is doing a one-take live recording, being slapped repeatedly around the face (a video, incidentally, co-directed by yours truly), taking off lots of t-shirts or at the bottom of a bundle (there I am again), his clips are inventive and compliment the songs they accompany.

His new offering (above) swings away from the one-shot, black and white routine that Ford has mastered, but, as usual, focuses on a clever idea. Oh, and the song’s a winner too.

Making Up For Lost Time is taken from Ford’s critically-acclaimed third long-player, Let The Hard Times Roll. It is possibly his best work to date, and can be bought for a ridiculously small amount of money here.

Monday, August 23, 2010

Getting To Know... Gary Page

In the latest in the Getting To Know... series, singer/songwriter Gary Page emerges from the back of a tour bus to talk about making music using a hatstand and about how his life resembles Summer Heights High:

I would describe my music as
simple but effective verse/chorus/verse/chorus/bridge/chorus with a tune you can hum. The intention is to try and express myself positively without sounding like a happy clapper.

Music makes me feel like a human being. There's nothing better than writing a song and then someone will have a connection with it, even if it's just a handful of people it makes me smile.
There's also nothing better than discovering a band and finding yourself compelled to buy their entire back catologue.

As well as being a solo artist, I play in David Ford's big band. I have, in my time, played percussion on a hatstand, a suitcase and a metal clanger as well as your more conventional percussion, guitar, keyboard, bass and mandolin. Whatever he asks me to do, within reason, I'll do it as I'm up for a challenge.

Touring is a bubble. I've been lucky to tour with people I love but I can imagine if you're stuck with people you don't get on with it could be hell. I've been to some of the most exciting cities in the UK and Ireland but only experienced it in the back of a van and a small venue. There's nothing better though than seeing smiling faces after a gig and feeling like you've been a part of it. I've also met some wonderful people and sometimes they invite you back to a random house party in Galway, Ireland! The first few days back home are truly awful but you quickly adjust back to life.

If I could only listen to three albums for the rest of my life, they would be:

Radiator - Super Furry Animals
Together Alone - Crowded House
Afraid of Sunlight - Marillion

Certainly not the coolest albums you're likely to own but they have a special place in my heart.

Aside from music, I work in an Inclusion Department (think Gumnut College in Summer Heights High and you get the idea) of a college in Sussex, England. Some of the kids I work with have troubles that make school work seem insignificant. It's rewarding though. In my short time there I have supported an autistic lad who has gone on to receive an outstanding achievement award and I've helped make a cracking rasberry cheescake with a partially sighted child who's an amazing kid. If you knew what he goes through day to day you'd never complain about your life.

To listen to some of Gary's charming music, visit his Myspace page.

Thursday, August 12, 2010

Getting To Know... Billy & the Fingers

In the latest in the Getting To Know... series, Neil Martin from Billy & The Fingers talks to BobbySix.com about how he loves making music with mates, even if those pesky second verses do prove to be elusive:


I would describe Billy & The Fingers' sounds as
borrowed chord progressions, stolen words and half remembered melodies. The sound of Friday night if your Friday night consists of sitting round my flat drinking and recording hastily written songs.

I take inspiration from Brian Eno’s first 3 solo albums, Robert Pollard’s approach to recording and releasing music, Phil Spector’s Wall Of Sound, Neil Young’s vocal on Mellow My Mind and the Louvin Brothers' vocal harmonies.

Music makes me selfish. It takes me out of the stresses of the week and places me entirely in the moment. Creating music with friends is the single greatest thing you can do. Music is not a career for Billy & The Fingers (some of you will not be surprised at this), it is a release. There is no gameplan and no mission statement. This is for us.

If I could only listen to three albums for the rest of my life, they would be:

Brian Eno – Taking Tiger Mountain By Strategy
Neutral Milk Hotel – In The Aeroplane Over The Sea
Gene Clark - No Other

There is not really much I can add about them that hasn’t been written elsewhere far more eloquently than I can manage other than all three albums continue to astound me on every listen.

I wish I had written lots of things but then if I had written them then they would probably lose that magic. The songs of John Darnielle make me absolutely sick with envy and are probably responsible for me not writing more. Karl writes most of the words for Billy & The Fingers songs and I tend to add bits and pieces to finish them off or make them fit with the vocal melody. Occasionally I will write a whole song but I am incredibly self critical of my own words and have a million killer first verses lying around that I couldn’t find good enough second verses for.

Aside from music there is: Badlands, A Room For Romeo Brass, Harold & Maude, The Straight Story, Buffalo 66, All The Real Girls. There is also: Geek Love by Katherine Dunne, And The Ass Saw The Angel by Nick Cave, James Ellroy, David Peace, Flannery O’Connor.

And on top of these wonderful things there are innumerable other things that need to be done and as a prolific procrastinator with attention issues most of them aren’t done as well (or perhaps as regularly) as they could be.

Be sure to check out Billy & The Fingers on their Myspace page.

Friday, July 10, 2009

Gary Page - Folk Devils and Moral Panic

Having been doing the live circuit for a while now, as well as performing as part of David Ford's live band, Eastbourne's Gary Page releases his debut album of classically structured, largely acoustic pop songs.

With guest appearances from Ford, The Late Greats' Max Arnold and Stacey Pottinger from Hiding With Girls/District, the self-recorded and produced Folk Devils... is lyrically intelligent in a colloquial way, mixing introspective musings (Easily Unimpressed) with conspiracy theories (Fake Lunar Landing) and pot-shots at New Wave-loving scenesters (In Love With York). What is most impressive though is the way in which Page unlocks the songs with such utterly accessible tunes. You won't find the unexpected here - no ten-minute jazz noodling or mad acid house outros (which is perhaps surprising considering his adoration of Super Furry Animals) but you will get grown-up, acoustic indie-pop influenced by a love of the likes of Crowded House and Teenage Fanclub.

The quality of the record is such that standout live-favourite, the singalong anthem Breathing In, is not the obvious jewel in the album's crown. However, tucked away without fuss or fanfare at track three, it is still a pleasing end to an opening trilogy of pop songs. Next up, Portland Sky is the real gem on Folk Devils..., a nicely understated tribute to Elliot Smith with a sweet, gentle melody tiptoeing through delicate keys. This is indicative of Page - his songs - even the ones with the big Beach Boys choruses - have a pleasingly ruminative, slightly downbeat tone to them.

If you like your music with zero pretence but with plenty of honesty, then you should give Folk Devils and Moral Panic a listen. The good news for you is that you can download the whole thing for free by clicking on this link. And no, that's not me encouraging you to illegally download (especially after that chick got fined about $2m for uploading a handful of Beyonce tracks), but a free download link straight from the artist himself.