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Showing posts with label california. Show all posts
Showing posts with label california. Show all posts

Monday, July 09, 2012

Deap Vally interview


Golden Lady gets to grips with the latest buzz band from The States:

Deap Vally, a duo hailing from the San Fernando Valley in California, have managed to create a small tidal wave of a buzz within the music industry of late. Visually it’s not hard to see why, they flitter somewhere between Fast Times at Ridgemont High and Dazed and Confused. Musically it’s even more obvious, take a dash of Sabbath, mix with a splash of Heart and a holler of Karen O and you get the very wonderful Deap Vally!

Like all super hyped bands, it usually takes one flame to ignite industry fire, as is happening now. From the creative cliques of LA to the heavy buzz of UK industry, where much revered chronicles such as The Guardian and The Independent have singled the band out as definite ones to watch. Not to mention, pioneers of great hype themselves NME Magazine, boldly labeling them “a hippie Karen O fronting Black Sabbath”.

Speaking with foxy singer Lindsey Troy, one gets the sense that both her and sassy drummer, Julie Edwards, are more than aware of the spell they’re casting. I enquire as to whether getting such a wide array of comparisons is at all overwhelming. “Our influences are so vast, it’s always interesting to hear which of them stick out to people. We're both huge Led Zeppelin fans, so getting that comparison is always exciting.”

Without having so much as released a single yet, they are already filling slots at UK festivals such as Reading, Leeds and Latitude, with a handful of shows in between. Acknowledging the achievement thus far, Lindsey tells me she’s more excited about the festivals than anything. "I love music festivals. I love the sense of community that is created. I can't wait to melt some faces.”

And speaking of community, like so many LA based creative forces, there is a definite sense of artistic fellowship which permeates. You often hear stories of actors helping out fellow musicians or vice versa and their story is no different. Their mascot being none other than indie hero/villain Vincent Gallo, who has been championing the band since their incarnation a little over a year ago, when he contacted them on Myspace to profess his love and support. He is regularly seen cheering them on at shows, where one may have also recently spotted Marilyn Manson heckling them front row ……as you do!


But they definitely take this all in their stride, never hesitating to be equally as supportive and encouraging towards those around them. “We've met a lot of very inspiring people on our journey as a band, and I would definitely say that some of them have impacted our development. For example, we have a good friend whom we met last year, a designer who goes under the name Kittinhawk [her real name is Allysun Maria Dutra], who we have formed a really fruitful creative relationship with. She has designed a number of our staple stage outfits. We all bounce ideas off one another and the end result is always amazing”

Reinforcing this positive spirit is the lyrical content and message you get from Deap Vally’s music. From lead single Gonna Make My Own Money to scorcher End of the World (“there’s no time like the present, so open up our hearts and let love shine in”), one can’t help but feel uplifted and energised. “We're very conscious of the messages we put in our songs” says Lindsey. “They empower and inspire us, and I hope that they have the same effect on others.”

Something tells me this is already happening!

Interview by Golden Lady

Deap Vally release their debut single Gonna Make My Own Money in the UK on July 30th.
Keep up to date with all their goings on at www.facebook.com/deapvally or www.twitter.com/deapvally

Friday, February 03, 2012

Grouplove at The Factory, Sydney


GROUPLOVE 
THE HEAD & THE HEART 
The Factory Theatre, Sydney 03/01/12

While Seattle’s The Head & The Heart boasted six members and three vocals, their occasional explosions of exciting noise only served to illustrate just how pedestrian most of the first-half of their performance was. Thankfully, as their indie-folk set continued, the thrills became far more frequent and, by the time they were finished, they had certainly done a lot to impress – not least with the awesome (yet frustratingly underutilised) howl of Charity Rose Thielen, who had quite the appealing stage presence throughout on vocals, hand-claps and violin.

Grouplove arrived on stage and immediately set about working a sold-out room into a frenzy with their infectious energy. 'Fun' is a hard thing to achieve in music without coming across as insincere or just plain annoying, but the Californian quintet are fun with a capital F-U-N and there is nothing remotely contrived about them. When Christian Zucconi got the crowd to join in with some wolf-like howling before Close Your Eyes and Count to Ten, when vocalist Hannah Hooper bopped around delightfully and when Englishman Sean Gadd grooved on the bass and stalked the stage while singing the excellent Chloe, there wasn't even a hint of histrionics. Rather, this was five people having a bloody good time and wanting nothing more than for the crowd to feed off their bonhomie.

And then there's the tunes. Like a merrier Modest Mouse and making the noise of a plethora of Polyphonic Sprees, Grouplove have crafted a fine collection of singalong anthems. So much so that Lovely Cup was confidently chucked away early. Soon after, the summer fun of Naked Kids (be careful when you Google that) prompted the first of many raucous singalongs. After Hopper created some live art with a texter and some backlit perspex during the rocky Slow, the encore, of course, consisted of Tongue Tied before the evening ended with the epic indie of Colours.

Many bands could learn a lot from Grouplove; they deliver a wonderfully feel-good vibe while having the songs to back it up and an undeniable sense of believability to their performance. The year may only have been three days old but, as punters headed for the exit smiling from ear to ear, they did so in the knowledge that they would see few better gigs in 2012.

Review by Bobby Townsend. The review first appeared in Sydney's Drum Media.